The Carnival Is Over

Yorkshire Square Eight

My last post created some nostalgia for village community life, now remembered only vaguely. Little remained beyond the nineteen-fifties. Much of what we know is second-hand. 

I could have said so much more. Pre-television, pre-car-ownership, pre-eating out, pre-foreign holidays, people created their own entertainment. There were dances, a drama group, a music and opera society, and sports teams. 

I remember the annual fairs on the village green, which my grandma oddly called the village “Fe-ast”, when parts of larger fairs stopped off on their travels around the country, possibly on the way to Hull Fair. The loud piping of fairground organs, the ring of slot machines, the smell of saucy hot dogs, the colour and blur of the rides, the force of bumping cars (dodgems), swings, roundabouts, rifles with rigged sights, brightly coloured wooden ducks swirling through torrents of water, excited voices, all above the hum of diesel generators, still take me back there, to the age of six or seven. 

Then there were the village carnivals, maybe not every year, fading away by my day. So much time, energy, organisation and creativity went into them. There was real talent in the village. The costumes were particularly impressive. 

The 1937 carnival programme named more than 150 participants, mainly children. Proceedings opened with a procession of Heralds, The Lord Chamberlain, the Crown bearer, Standard bearers and Pages, and the crowning of the May Queen. The Queen was presented with a bouquet, and her Courtiers and Maids of Honour received representatives of Britannia, England, Ireland, Scotland, Wales and Peace. 

The main proceedings consisted of children’s dances. There was a Yorkshire Square Eight, Butterfly dancers, Milkmaids and Boy Blues, Spring Flower dancers, a nursery rhyme medley, Indians and Palefaces, Fairies and Elves, Sailors hornpipe and signals, and Jockeys. There were two maypole dances, the first creating a single plait and gypsy tent, the second a double plait, spider’s web and barber’s pole. Later there were larger group dances: a Circassian Circle and a “Mage on a Cree”. The day ended with a march led by the Queen, her Court and a band of toy soldiers. No doubt there were other adult activities well into the evening. I don’t have the pages naming the organisers. Nor do I know how the music was provided, or who designed and made the costumes. 

The programme lists the names of my mother, her brother and sister, and many of her “cousins” and friends. She danced in the Yorkshire Square Eight (above, top row, left). Her cousin, Jean, is in front of her. Jean would later lose a son in an awful railway accident. Another cousin, Alfie, is third from the right on the top row. Her friend, Kitty, is fourth from the right on the bottom row. I went with my mother to watch the Coronation on their television. 

Mother’s brother was an elf (below, top row, third from left). Her sister was a milkmaid (second picture below, top row, fourth from left). Her sister was the only one of four siblings to live to a good age. Other cousins and relatives appear in these pictures, too. 

Fairies and Elves

Milkmaids and Boy Blues

What does any of it matter now? The kids aren’t bothered. And those earlier children were soon to be shaken from their idyll, violently thrown into today’s world of conflict and events in far away lands. My uncle, the little boy in the elf outfit, died overseas on National Service in a tragic air force accident at only twenty-three. I can just remember him. He was clever; a plumber. He would have done well in the building boom. His widow, astonished that after sixty-five years without contact I still called her “Aunty R”, told me how she had arrived back on the bus from work to be told the awful news by my grandfather. My poor grandfather, who had lost all his own siblings when young, and now a son. And his own father would have told him how he was only one of two out of eleven to live beyond their thirties, their names and dates recorded carefully in the family bible. It was all so long ago. It’s just nostalgia.  

The Village

Village Dance Class, 1930s.
My mother (top, 3rd from right) is one of four “cousins” in the picture.
She would have been 100 years old today.

“It was a lovely place to grow up”, said Aunty Olga the last time we spoke. “The best anyone could want”. She talked of a High Street with no motor vehicles to stop you playing in the road, all the relations living nearby, and how everyone knew each other and were friends. There were shops with all you could want, and clubs and groups and things to do. The buses ran late so you could get back from the pictures in town. “Not like now”. 

“Aunty” Olga. We called them all “Aunty” or “Uncle", or if they were the same age as us “cousins”, no matter whether they were really great aunts, great uncles, second cousins, half-cousins, cousins once removed, or some other combination. It was simpler. There were loads of them. “Your mother was more of a sister than a cousin to me”, Aunty Olga said. 

I caught it right at the end, and don’t doubt her. I fetched milk from the farm dairy and talked to the pig in the butcher’s sty. I bought pop from the sweet shop, chips from the fish shop, rolls of gun caps for my cowboy pistol and foreign stamps for my collection near The Green. I marvelled at the old village water pump near the church and walked on my own the three-quarters of a mile along the river bank to my aunt’s smallholding at the ferry houses. I knew the local names that appeared on few maps: Gander’ill; Cock’orner; Cuckoo Park. 

A walk down the High Street with my grandma meant talking to everyone we passed. 

“Who was that?”  
“My cousin.”  
“And who was that?” 
“He’s my cousin too.” 

“How many cousins have you got?” 

I’d wish I’d not asked. 

“Well, there was Aunty Bina who had Blanche, Tom, Gladys, Lena, Olga, Fred, Ena, Dolly, Albert and Jack. She brought up our Jean as well, although her mother was really Ena. They had fish and chip shops all over.”

“Then there was Aunty Annie who married Uncle George, and had Mary, Fred, and Bessie.” She pointed to ‘M, F, and B’, scratched long ago into the bricks of number 88 (still visible today). 

“Do you mean Aunty Mary?” I asked. Aunty Mary had the prettiest face I’d ever seen. 

If Grandma was in the mood, she would go on to list the millions of children of uncles Fred, Bill and Horner, who had moved away to run a paper mill in Lancashire.  

All were prefixed “our”: our Fred, our Bessie, and our Mary. Aunty Olga’s children were our Linda, our Sandra, and our Gillian. It distinguished them from Aunts and Uncles who were not relatives at all, such as Aunty Annie ’agyard (3 syllables). What funny names some had. 

And that was only one of Grandma’s sides. The other was worse. 

Even more confusing, my mother’s Great Aunty Bina was married to my dad’s grandpa’s cousin, which meant I was doubly related to Blanche, Tom, Gladys, and the rest. 

I heard it so often I could recite it to my wife decades later: “Blanche, Gladys, Ena, Lena, Gina, Dolly, Molly, Mary, Bessie, Ella, Olga, Linda...”

“They sound like a herd of Uncle Bill’s cows,” she said. 

Uncle Bill (don’t ask), was from across the river and had married into the family. He said that if the Blue Line bus had not started running through the village, they would have all been imbeciles because of inbreeding. 

I went less and less as I grew into my teens, not realising it was coming to an end. It would never be the same again.  

Follow The Moon

A few weeks ago, Jabblog wrote a post about Lyle’s Golden Syrup, which, by the ways and wanders of the mind in the night, took me to a party game. 

I was about six or seven, and it was my birthday. Mum invited a few friends round. I fancy there was Dennis and Johnny from the next street, maybe Jack the neat writer, and Geoffrey Bullard, not yet the monster he became. Girls? I don’t know. Maybe my second-cousin, Linda, and her funny friend, Margaret. I liked them. We were all in the same class at school. I can’t really remember. The more you try, the more you make up. 

I imagine we ran around in the garden for a while, and had tea. It would have been treacle on bread or treacle sandwiches (our name for Lyle’s Golden Syrup), or possibly honey. We often had that for our tea. Some people used to have condensed milk sandwiches, but I never liked the way it soaked into the bread and seeped out at the edges. For pudding, it would have been Rowntree’s Jelly and tinned fruit, with Carnation cream (which is what we called evaporated milk).  And fizzy Tizer or Vimto to drink. Such was the nineteen-fifties diet. The school dentist was always busy.  

Even now, I have honey on toast for tea when lazy, and Carnation “Cream” on tinned pears or apricots is luxury. Everyone here complains it is too sweet, so I have to have the whole tin myself. I don’t have treacle now, but the empty metal tins are great for all those bits and pieces you don’t know where to put: bath plugs, light pulls, door stops, picture hooks. Shame they risk disappearing in a squeezy plastic rebranding after 150 years unchanged. “... consumers need to see brands moving with the times and meeting their current needs. Our fresh, contemporary design brings Lyle’s into the modern day, appealing to the everyday British household while still feeling nostalgic and authentically Lyle’s,” said the brand director. “Drivel, bollocks, and bullshit,” said I. 

As regards the party, I have only one clear memory. Dad said we would play a game called “Follow The Moon”, but would say no more about it. The time came, and we waited outside the front room, with Mum and Dad inside, the door closed, and the curtains drawn. We were called in one by one.

The first went in, and after a short time cried “Aarrgh!” Then the next went in to join them, and made the same sound while the first person laughed. The third went in and reacted in the same way, causing the first two to laugh, and so it continued. 

I was last because it was my birthday. There was a sheet hanging vertically in the darkened room, with a circle of torchlight shining through. That was the moon. I had to keep my nose as close to the moon for as long as I could, while it moved around. It went up and down, and side to side, then faster in a circle, and, as both the moon and my nose reached the top of the sheet, a soggy warm wet sponge full of water came over from the other side and dunked me on the head. The others all roared with laughter.

Didlum

In answering the question on Yorkshire Pudding's blog: "How much money have you got stashed away in your house and where exactly do you keep it?", I said none because my wife puts it in the didlum. Did anyone know what I was talking about? It's all right. I'm used to it.

When I was little, my mother paid each week into Nanna Fenwick's didlum. Nanna Fenwick (that's Fenwick with a voiced W) was a fearsome but trustworthy woman who lived across the back lane. Her didlum started each year around the beginning of February, and if you paid in, say, ten shillings a week, you would have about £20 when it paid out in time for Christmas. You only got back what you paid in, without interest, but it was safe from the temptation of a tin on the mantlepiece. I don't know how many people paid into her didlum, but I suppose Nanna Fenwick put it all in the Post Office and got a bit of interest herself for running it, not that there was much interest to be had anywhere then.

I guess they are too posh to have any didlums in Sheffield.

Hello, Cheeky!

Do you ever wake up in the night giggling uncontrollably about something remembered from long ago?

What set me off last night was a story from someone I worked with soon after leaving school.

At his junior school they had a class budgerigar. Its name was written on a sign on the front of its cage. It was easily detached. 

It was in the days when nearly all children walked to and from school, as did their teachers because they all lived locally. Not all cars then. The teacher used to leave her outdoor coat over the back of her chair in the classroom.

One day, she walked home with a sign saying, “My name is Cheeky”, fixed to the back of her coat.

That middle of the night giggling got me a thump in the ribs.

We Know Where You’re From

New Month Old Post (revised): first posted 10th March 2019.

The British-Irish Dialect Quiz

Not such an old post, but most followers came after this date. Recent discussion of accents and language on this and other blogs reminded me of it. Yorkshire Pudding wrote about it around the same time. The results show me to be more East Yorkshire than he is.  

I can no longer access the quiz directly without hitting the New York Times paywall, but if I search for “The British-Irish Dialect Quiz” and go in from Google or Bing then it works. There is also an American version, “The U.S. Dialect Quiz”, but that always hits the paywall however I try to enter. 

Growing up in a unicultural Yorkshire town (as they nearly all were in the nineteen-fifties), I’m not sure when I first realised there were variations in the way people spoke. I remember a boy climbing around on Filey Brigg with a hammer who said he was “Luckin’ fer forwssls”, and the pen-friends from Bingley, organized by one of the teachers at junior school, who, when we met them, sounded different and used strange words. To my childhood eyes, they even looked different. Goodness, even people from across the river looked and spoke differently, even though they lived only a few miles away.  

Later, meeting different people and living around the country, accents fascinated me. I love hearing Buchan Scots and Yorkshire Asian, and used to have great fun winding-up my South London mother-in-law.  She could give as good as she got.

So, when I heard about the British-Irish Dialect Quiz, it was irresistible. I was bound to try it out and join the thousands of other bloggers writing about it.

It asks 25 questions about how you pronounce various words, such as “scone” or “last”, and what words you use for certain things, such as for feeling cold or for the playground game in which one child chases the rest and the first person touched becomes the pursuer. It then gives you a map of Great Britain with your area of origin shaded in. If you want, you can continue with a further 71 questions to refine the results further.

It got me pretty much spot-on. Words like “breadcake” and “twagging”, and the way I say ‘a’ and ‘u’, give me away most.

The explanation of the results is interesting too. It mentions that in Britain and Ireland, unlike North America, local dialect sometimes changed wildly within ten or twenty miles. Village-by-village distinctions have now eroded, but the article suggests there is no evidence that regional differences are disappearing, even in the face of technological influences. I find that reassuring.

My wife’s results were interesting. She answered the questions twice, once using her words and speech growing up in Hertfordshire, and then again how she is now. It got her pretty much right on both counts. Living in the north and working as an occupational therapist, she soon realised it did not go down well to go into peoples’ homes and ask how well they could manage in the “baarthrums”.  

Working Class?

The Frost Report Class sketch. It is heavily copyrighted, but you might get it to play at: https://www.tiktok.com/@freeseedfilms/video/7235691483561544986

I found it interesting that, according to his son, Michael Parkinson, who died recently, suffered from imposter syndrome. He doubted his abilities as a writer and television interviewer, and feared he was not as good as others. It seems he could be very short-tempered when an appearance or deadline was near. It is difficult to believe this of someone so accomplished. His son thought it came from having grown up in a council house at Cudworth near Barnsley, the son of a coal miner.

I said I could understand this because I was from a northern working-class background myself, and had often felt above my station. Could I have done more with a bit more self-belief? I don’t know, but I have known and worked with those who reached senior university management, one a Vice Chancellor, and seen what self-regarding mediocrity some can be.

One thing certain to get my wife and family worked up, is when I claim to be working-class. “You are not working-class,” they say. “Your father owned a business, and a house and car. You had books at home. You went to a grammar school and became a university academic.”   

I argue back that my father did not own a business until I was in my mid-teens, when he took over from his own father. Until then, his father was his employer and he was treated no differently from other employees. He spent three days a week travelling the country villages, often until after seven at night, with paperwork still to do. One day a week, he cycled to work in a boiler suit to maintain and clean the firm’s cars and vans. He worked a five-and-a-half day week, with two weeks annual holiday. We lived in a working-class area and rented a terraced house until I was six. My mother’s father worked in mills. Most of my friends lived in council or terraced housing, and their fathers worked in factories, on the railways, or on the docks. One drove lorries for the council. Another emptied gas meters. I had no sense of being different, except that we rarely mixed with children from professional families. It was a very working-class grammar school I attended, and did not do very well there. I only went to university late. I looked and sounded working-class. How the headmaster sneered in disbelief when I entered my father’s occupation on my leavers’ form as Company Director. Surely, the circumstances and circles in which you grow up, and how they make you behave, determine your class origins.

We are not going to agree. It is a complex subject that has changed over time. To say someone is working-class now might be seen as an insult. It makes than sound like public lavatory attendants or slaughter men. We all like to think of ourselves as middle-class now.

There is also a North-South element. Social and lifestyle changes occured much earlier in the South of England where my wife grew up. There were more professional jobs, and many people travelled into London each day. My own town had few middle class people, and certainly no upper-class. But it depends how you draw the line. I would say my teachers were working-class, as were bank clerks, and shop and office workers.

The English class system: is it possible to cover all angles of such a vast topic? Sociologists would consider unskilled and semi-skilled employment, white-collar and blue-collar jobs, salaried or waged, sources of income, asset ownership, education, lifestyle, interests and so much more. In some recent categorisations, I come out more like the upper classes.

It doesn’t change my view. Me and Parky: two northern working-class grammar school lads made good. Or am I making excuses and playing the victim?

Windmills Of Our Minds

I always have a tune playing in my head. This week there have been two not thought about in over sixty years. Where do we keep these things and the associations that suddenly bring them back?

I had been enjoying, on Yorkshire Pudding's recommendation a few weeks ago, the three series of 'The Detectorists' on BBC iPlayer. It is indeed good, although it contains more and more soap opera elements as it progresses, which I found annoying. 'Dad's Army' never needed extended plot lines about wives, daughers and girl friends.

I thought the best bit was the last five minutes of Series 3 Episode 1, when one of the main characters detects a falconer's whistle. He cleans if and blows to see if it still works, and to the eerie harmonies of The Unthanks 'Magpie' we are transported back to the scene of an Anglo Saxon burial on exactly the same piece of earth several centuries ago.

"Devil, devil, I defy thee", they sing. And then: "Oh, the magpie brings us tidings, Of news both fair and foul, She's more cunning than the raven, More wise than any owl, For she brings us news of the harvest, Of the barley, wheat, and corn, And she knows when we'll go to our graves, And how we shall be born." I had tingles down my spine.

After hearing 'Magpie' for a day or so, trying to make sense of the harmonies, I was struck by its slight similarity to the theme tune of the nineteen-fifties television series 'Cannonball'. It came back out of nowhere and I had to 'listen' to it for a time. This was then replaced, by association, with the singer Freddy Cannon's awful nineteen-fifties hit, 'Way Down Yonder in New Orleans', one of the first commercial songs I knew all the words to because they were printed in a magazine. I can still 'see' it from more than sixty years ago.

At least I can play The Unthanks to get rid of these two tunes, but sometime, it would be nice just to be able to switch it off.

https://youtu.be/w6EIFD80f90

Pals

New Month Old Post: 1st posted 19th February 2019 

This is Bill and Jack. They had this postcard of themselves made from two separate photographs during the nineteen-thirties. They look like a well-turned-out American songwriting duo: Rogers and Hart or Gershwin and Gershwin, perhaps. Why they had it  made, or how they used it, I have no idea. 

Bill, on the left, was my grandma’s brother. He remained at home with his parents into his thirties. Jack lived with them. Jack was undoubtedly the livelier of the pair, and Bill, rather his sidekick. In the makeshift pre-war census known as the 1939 Register, Jack is constantly on the go as a window cleaner, transport driver and police despatch rider. Bill is simply a general labourer in a paper mill. People remembered a sign on the gate: “Let Jack Do It”. When Jack played in the village football team, Bill had only a supporting role as treasurer. When Jack played drums in a nineteen-thirties dance band, Bill would sit on stage next to him, even though, as someone remembered, “he did not have a musical bone in his body”.

Bill died aged 33. It may have been linked to smoking. My grandma gave me a box of around 40 complete nineteen-thirties cigarette card sets, which I believe had been collected by Bill.  

Jack had Bill buried in one half of a double grave with a single stone surround. He reserved the other half for himself, and had his name inscribed on the vacant plot with the dates to be added later. The stone surround was divided by a small marker bearing the word “Pals”.

I know what many may be thinking, something that would never have been thought in an out-of-the-way, self-contained, nineteen-thirties Yorkshire village. Again, I don’t know, but two years after Bill’s death, Jack got married. It was during the war, somewhere in the Midlands. Jack was thirty-nine and his wife, twenty-two. They returned to Yorkshire and had several children. The names and dates of both Jack and his wife are now inscribed on the once vacant half of the double grave.

Although I never met Bill, I have two memories of Jack. The first was at my grandma’s house when I was no more than four or five. Jack was smoking heavily, talking in a loud voice, agitated about something. Every other word was “bloody”: “bloody” this, “bloody” that, with the occasional “bugger” thrown in. He spat out the words with the cigarette smoke, jerking and shaking his head, making his whole face wobble in emphasis of all he said. I don’t know what it was about but he seemed entirely unconcerned that a young child was watching and listening.

The second time was at a football match seven or eight years later. He was Secretary of the local amateur league for teams such as Thorne Colliery and the railwaymen, pub teams like the Victoria and the Buchanan, village teams including Pollington, Eastrington and Swinefleet, and even a team of Methodists. It was Jack’s duty to present the cup to the winning finalists. All gathered around for the ceremony. I wondered what I was about to hear. Jack made a short speech. His face still wobbled in emphasis of all he said, but he did it without saying “bloody” or “bugger” even once.

Doreen

My vision issues make reading and participating in comment quite challenging just now, but I continue to enjoy your blog posts which the computer reads for me.

Today, I want illustrate life's vicissitudes through the story of my mother's lifelong friend Doreen. They are the kind of things we like to pretend do not happen.

Shortly after my parents married, they rented the two-bedroomed terraced house where I spent my first years. It needed thorough cleaning, so Mum busied herself scrubbing floors, washing windows, scouring the kitchin, sweeping the yard and hanging curtains. I can imagine the hot, damp smell of soap flakes, coal tar soap, scouring powder and disinfectant. There were few detergents. She had escaped her claustrophobic village and mother for her own little house in town, where she built a new life and blossomed.

In the back-bedroom of the house across the lane at the rear, a woman of similar age lay in bed-rest at her mother-in-laws', heavily pregnant with twins. She watched my mother at work and wondered who was this energetic and pleasant-looking young woman she had never seen before. Her mother-in-law came across to make contact, and Mum went across to meet Doreen. They had lots in commom and talked for hours.

They became lifelong friends. We visited each others' houses all the time. I called her Aunty Doreen. I have a lovely photograph of my pregnant (with me) Mum with Doreen, her husband and the twins walking along the promenade on a sunny day-trip to the seaside. They are all laughing and happy.

A few hears later we moved to a bigger house in the next street, so saw a little less of each other, but still visited often. It did not therefore surprise me on returning from school one afternoon to find the twins at our house. They were a girl and a boy then aged around ten. I was around seven. What I did not know was that they were there because their father had been taken seriously ill at the mill where he worked. He had had a massive heart attack. After a time someone knocked on the door and my mother sat the twins down at the table because she had something to tell them. "Your daddy's died" she simply said. It must have been almost impossible to say. They both burst into floods of tears. I didn't really understand but knew it was awful. People at the mill remembered how disturbing it was to see his overalls and shoes still at his peg. His body lay at rest at hone in the front room until the funeral. Doreen was still in her thirties.

But life goes on. With support from relatives, friends and neighbours Doreen brought up the twins into teenagers. A few doors along the street lived Maurice, a railway engine driver who had lived alone since his parents had died a few years earlier. He was a good-looking, gentle giant of a man, shy and quiet. The twins thought him wonderful and he became like an uncle who played with them. He formed a close friendship with Doreen and eventually proposed. Doreen was forty-two, Maurice about thirty-four.

"But he's so much younger than me," Doreen told by mother.   

"Gerrim married," Mum replied.

So she did, with my mother looking radiant and lovely as Matron-of-Honour. She had never been a bridesmaid before.

The photographs show a happy day, although as I have seen in other families including ly owm, her late husband's mother does not look entirely behind the idea. The marriage worked and lasted over thirty years.

On his days off, Maurice liked to do odd-jobs, and I sometimes found him round at our house quietly washing the windows.

Then at around the age of sixty, Doreen became very ill with bowel cancer.

"They'll be taking me out of here in a box," she told my mother visiting her in hospital. And we all thought that was true.

And yet, against all the odds, she survived. She had an ileostomy operation and it was successful. It was my mother who died two years later of breast cancer and Doreen survived her by twenty years before falling into old-age and dementia. Maurice lived on for another ten years.

To get through life without encountering such dreadful ups and downs is very fortunate. For the rest of us that do, I don't know how do manage to cope. We must be very resiliant. It's not all rosy, is it!

Too Much Television

New month old post, originally posted as part of a longer post on the 19th September 2014. The other part of which was used at the beginning of last month.

We weren’t the last, but late enough for others to exclaim in disbelief: “What! You really don’t have a television?”

Dad thought them a mindless waste of time. After hours talking at work, he was happy to settle down to a book, or poetry, or his bible readings from church, or the B.B.C. “Book at Bedtime”. Mum, when not finishing housework, would be knitting, reading novels from the library or learning lines for her twice-yearly parts with a local drama group. I got through two or three library books a week too, and still had time for other worthwhile activities, not to mention homework. No one needed a television. There was always plenty to do. We were one of the last to have an X- or H-shaped aerial on the chimney stack.

My first viewing memories are therefore all on other peoples’ sets: school friends, the neighbour who regularly invited Mum, with me in tow, to watch ‘Val Parnell’s Sunday Night at the London Palladium’, another relative who let me watch football cup finals on Saturday afternoons, and one of my Mum’s aunts where I went once a week after school for tea. I remember the now forgotten Don Arrol’s brief stint as Palladium compere when he stood in for the ill Bruce Forsyth in 1960, the 1958 FA cup final when Bolton Wanderers beat a tragically depleted Manchester United after the Munich air disaster, and seemingly no end of escapist adventure series on Granada Television which was then the newly-licenced commercial provider for the whole of the North of England.

How many can you remember? How many theme tunes can you still sing? There was ‘The Lone Ranger’, ‘Bonanza’, ‘Rawhide’, ‘The Adventures of Robin Hood’, ‘The Adventures of William Tell’, ‘The Adventures of Rin Tin Tin’, ‘The Adventures of Long John Silver’, and ‘The Buccaneers’, to name but a few. The only theme tune I can’t remember is ‘The Buccaneers’, despite it being one of my favourite series. The tune was simply unmemorable. But I can still sing you the standby music used by Granada Television before programmes started at five o’clock.

Dad eventually surrendered to the inevitable and bought a set around 1962. I watched the first Transatlantic transmissions over the Telstar satellite in July of that year at home.

But all the many “worthwhile activities” soon disappeared. A year later I was watching the indisputably inane quiz show ‘Take Your Pick’ (the one in which Michael Miles tried to trick contestants into using the word “No”) when news of President Kennedy’s assassination came through. Within a few years, some programmes had become part of the bedrock of British society watched by more than half the population, and activities outside the home gradually dwindled away. For me, homework took second place on Thursdays when ‘Top of the Pops’ and ‘The Man From U.N.C.L.E.’ were on.

Dad remained a bastion of common sense. As soon as the television was turned on, he retired to his books, radio and other activities. I’m not quite that good, but I do try. Think of all the skills and knowledge lost to all that television. What goes around comes around. While I sit here trying desperately to improve my writing skills and perfect my pirate voice, my family sit the other room watching that embodiment of triviality, ‘The X factor’. 

originally posted as part of a longer post on the 19th September 2014

Talk like a pirate

New month old post (first posted 19th September 2014)

Robert Newton: the man who taught us to talk like a pirate

Although we did not yet have a television set at home, I used to see Newton in ‘The Adventures of Long John Silver’ at great Aunty Gina’s, where I would go once each week after school for tea. The series was made in Australia in 1954, but by the time it appeared on our screens in England some three years later, he had died from heart failure brought about by chronic alcohol consumption. He had previously played the role in the film, ‘Treasure Island’, in 1950.

Newton’s idiosyncratic one-eyed, one-legged and parrot-shouldered portrayal of Silver was much parodied and instantly memorable. The wildly gyrating eyeball and oddly exaggerated throaty West Country accent became the stereotypical pirate for the next half-century. Its influences are still prominent in the 2003 film ‘Pirates of the Caribbean’. Two Americans even thought it fitting to declare September 19th each year to be ‘International Talk Like A Pirate Day’ when everyone should greet each other with phrases such as “Ahoy, matey!”, and liberally sprinkle their speech with the pirate growl, “Aaarrrh”.

Exactly how do you talk like a pirate? It strikes me that the opening lines of ‘To The Hesitating Purchaser’ which begins Robert Louis Stevenson’s novel ‘Treasure Island’ provides a great model. Newton recites it at the start of every episode:

         If sailor tales to sailor tunes,
         Storm and adventure, heat and cold,
         If schooners, islands, and maroons,
         And buccaneers and buried gold,
         And all the old romance, retold,
         Exactly in the ancient way,
         Can please, as me they pleased of old,
         The wiser youngsters of today:
         So be it (Aarrrh Aarrrh), and fall on!

Just growl it out, stretching and rhoticising the ‘r’s and omitting the ‘d’ out of ‘adventure’, and you’ll sound pretty authentic.

To tell you the truth, I preferred the cleaner-cut, less eccentric Captain Dan Tempest in ‘The Buccaneers’, which was also set in the sixteenth-century age of pirates. Tempest was an ex-pirate, pardoned by the King and turned privateer to fight other pirates and the despicable Spaniards. He never caught the public imagination in the same way as Long John Silver. Perhaps it was because he didn’t talk like a pirate.

Premium Bonds

In August, 1957, my grandfather bought me and my brother one of the first £1 Premium Bonds each. They had been introduced just under a year earlier on the 1st November, 1956, to encourage people to save. He bought us each another £1 bond in 1959.

Rather than paying interest, bonds were entered in a monthly prize draw, drawn by ERNIE (Electronic Random Number Indicator Equipment), a Colossus computer. They retained their original value and could be cashed in at any time.

In those days, the maximum you could invest was £500 and the top prize was £1,000, as compared to £50,000 and £1 million today. Also, today, you cannot invest less than £25 at a time.

I didn’t cash mine in. In fact, I later bought more, and once won £500. I still have the original two, along with the others, and my Premium Bond record shows a total investment ending in 02.  The original bonds are now numbered 000AB01---- and 000AB76----.  

The records are all electronic now, but here are my two original paper certificates. 

A dutiful grandfather thinking of his grandchildren’s financial future? These two particular bonds have never won a thing.

Brylcreem

In scanning my parents’ photograph albums to share with the family I came across the following picture: 

Did we really slick this scented white grease through our hair?

The adverts said it aided the natural flow of sebum (yuk!); that it gave a clean, smart look safe from dandruff - presumably by sticking the dandruff to your head. How long did it take to wash out? Probably ages, bearing in mind that we only washed our hair about once a week. Jars had finger grooves to minimize risk of drops. Upholstery had to be protected by antimacassars. What did it do to pillows? Did Richie Benaud oil his bat with it?

Thank goodness for The Beatles.

Cameras

Last month’s post about photographic lenses and extension tubes set me thinking about the cameras I’ve used over the years. Some were also in the loft.

1950s

The first would have been our nineteen-fifties family camera, an Ensign Ful-Vue II. No, that wasn’t in the loft, but my dad had kept the instruction booklet:

It is surprising how vividly it brings things back: the large silver winding knob; loading the size 120 roll film (frames of 2¼ inches or 57mm square) with its thick black backing paper; the “ruby window” for viewing the frame numbers printed on the back – twelve per roll. Lovely colour, Ruby! 

 

1962

The Ensign took most of our family photographs until 1962 when I received a Kodak Brownie Starmite camera for Christmas and became the family photographer. This used smaller 127-sized frames (40mm square), also 12 per roll. Pictures from both the Ensign and the Starmite have appeared many times on this blog, especially indoor flash. 

1974

After starting work I wanted a 35mm single-lens reflex colour slide camera. One of the most economical to buy was the Russian Zenith E. It cost £33 from York Camera Centre in January, 1973. 

Comparing the quality of the Zenith images with the Ensign and Starmite negatives, you can see why it was cheap. I would have been better with something slightly more expensive, perhaps Pentax or Praktica, but the Zenith was fairly robust and I used it into the nineteen-nineties. It survived hours in rucksacks including two weeks backpacking in Iceland, and once rolled several hundred feet down a mountainside in Switzerland. Unfortunately, the fabric shutter is now torn beyond repair. As the lenses have gone to the charity shop, the camera body might as well go for metal recycling. 

One nice touch was that the Zenith came with a free book, “Discover Rewarding Photography: the Manual of Russian Equipment”, which, despite its name, contained helpful hints and useful information.

1994

The Zenith and its lenses were heavy and bulky to carry around, especially out walking, so around 1994 someone took pity and bought me a 35mm Pentax Espio 738G compact camera. It was a nice, easy-to-use, lightweight camera, but I never really liked it. It had the irritating feature (at least with the films I used) that, on loading, it automatically wound the film  all the way to the far end, and then back again frame-by-frame as each shot was taken. This meant that numbers printed on colour slides were in reverse sequence: e.g. slide 36 was really slide 1.

It still works: Daughter used it for an art project a few years ago. It might be fun to get a black and white film to develop myself just one more time: extracting the film from its cartridge under blankets in the dark, sliding it into the developing tank, salivating at smell of sodium thiosulphate fixer. I’ll keep the camera and tank for now. No need to print the negatives these days; better just to scan them in.

2001

And so to digital: a 2.1 megapixels Olympus D-490. It cost £399.99 in January 2001. The lens glided satisfyingly forward when you slid front the cover open. It had pop-up electronic flash on top. It had 3x zoom (35-105mm) and a macro function, but you could buy longer lenses and extension tubes. Its 72 dots-per-inch, 1600 x 1200 pixels jpg images used around 400MB of storage, so you could get around twenty on an 8MB memory card. It also took 20-second silent videos. 

The software for transferring images from the memory cards was awkward. You couldn’t just stick it into a computer slot like now because the ‘Camedia’ cards were enormous – seen here beside a standard SD card for comparison. I bought additional 16MB cards to take more photographs. A hundred was luxury after 35mm film. The camera was also a little heavy because it used four AA batteries. It still works but is worth at most £20 on ebay. Should it go to the electrical equipment recycling skip?

With two young children the Olympus was used a lot, but after a few years I noticed that the images had a small number of blank pixels. It seemed time to upgrade.

2006

Technology was advancing rapidly and getting cheaper too. My 7.1 megapixels Canon Digital Ixus 70 cost £169.99 in April 2006, and I still use it today. It has a similar spec. to the Olympus: a 3x optical zoom (35-105mm), a macro function and built in flash, but also an extensive range of image settings and unlimited movie time with sound. Mine is set to 3072 x 2304 pixels at 180 dots per inch which creates jpg images of 3.5MB. Even a ‘small’ 4GB SD card stores loads. 

You can get much higher spec. cameras now, even on phones, but this is fine for most purposes. However, one might say that it isn’t as much fun, and doesn’t have the same mystique as the Zenith.

Not wanting to disappoint the technical amongst us, here are links to the Ensign Ful-Vue, Zenith E and Pentax Espio instruction booklets and manual.

A Practical Wife

New month old post - last month’s old post was part of a longer piece. This is how it continued (first posted 18th August 2014).

In ‘Dad’s Thursday Helper’, I wrote about the dubiously wonderful things Dad could do with fire, lead, tar, meths, petrol and so many other substances while Mum was out. Yet, Mum never thought him particularly skilled in practical things. There was another reason for this too, which was that Mum was by far the more practically gifted of the two. She did all the gardening and repairs around the house.

She inherited a naturally practical, creative imagination that had run in her family for generations. Her great grandfather had maintained steam engines on barges in the 1870s. One of her brothers was a plumber, another was a self-taught mechanic. I watched the plumber dig down at Grandma’s house to connect a water-toilet to the new drains that had reached the village. And later, the mechanic effortlessly dismantled the broken mini-van lock and made it work with the ignition key. Even Mum once rescued me from a car maintenance disaster with pointed kitchen scissors after I had stupidly twisted the top off a grease nipple. She could use tools in entirely different ways from their intended purpose.

“Aren’t I lucky to have married such a practical wife,” Dad used to say.

I remember them decorating together, a paintbrush each. Mum got on quickly and efficiently with long smooth brush strokes, whilst Dad stabbed away awkwardly, making slow progress. I later realised she had given him an old brush, the stock clogged up with dried paint, stiff and ineffective, but he did his best without realising anything was wrong.

This kind of thing is pretty insidious. Dad, who made himself a cat’s whisker crystal radio as a boy, taught both me and my brother to assemble Airfix models and make things with Meccano, preserved fences with creosote, repaired punctured bicycle tyres, helped maintain his firm’s cars and vans in the 1940s and 1950s, and had the confidence to melt lead and tar on the kitchen cooker and get away with it, gradually came to believe himself functionally incompetent in all matters practical. We all came to think it.

After Dad retired he made some real howlers. He decided to help around the house by cleaning the finger marks off the furniture with a mixture of vinegar and water like his mother used to do. Within minutes he had knocked the vinegar water on to the carpet. “For goodness sake, get a bloody job,” Mum yelled.

Mum spent her final months explaining how to do the household things she had always done for us all. Dad carefully wrote it all down in a notebook, but it did not always help. Mum became so exasperated at his ineptitude as she tried to instruct him how to build cane pyramids for runner bean, she exclaimed “I’ve got more sense in my little finger than you have in your whole body.” Dad knew she you would never harvest them, and she didn’t.

Later, most memorably, he melted the plastic lid of the kettle by putting it on the gas ring without water. The next day, having bought a new lid, he did exactly the same again. “They always used to have metal lids,” he complained.

It was a vicious circle, lack of practice leading to lowered confidence. Were those tar splashes on the yellow shed and the flaming pool of meths creeping across the table, mentioned in the last post, early indications?  

I like to think I inherited Mum’s practical abilities. I can garden, hang wallpaper, service a car, replace light switches, maintain computer software, put new taps on washbasins, mend toilet cisterns and make guinea pigs hutches, to mention but a few. Dad visited us one day to find me hammering a hole in the bedroom wall to fit a new electrical spur socket. The floorboards were up displaying my neat new wiring all ready to connect up. I proudly showed him what I was doing.

“Aren’t you lucky to have married such a practical wife,” he told me.

Dad’s Thursday Helper

New month old post (first posted 18th August 2014)

Thursday afternoon was half-day closing. The whole town seemed to shut down. Retail businesses got the afternoon off in part-compensation for being open on Saturdays. So, Dad came home and Mum went off to Grandma’s leaving him to get on with his Thursday afternoon jobs. I ‘helped’.

 

We cleaned and brushed his boots and shoes, black and brown, with Cherry Blossom polish from a round tin with cherries on the lid, and Wren’s waterproof dubbin with a little bird. 

We replaced brake blocks and pumped tyres, and mended punctures by immersing the inner tubes in bowls of water to see the bubbles, marking with chalk, and sticking on puncture patches with stringy rubber solution. I learnt about tyre levers and tubular (box) spanners. We polished the wheels and handlebars with rags (old underpants were good) and mustard coloured chrome cleaner, transforming dirty grey to silver shine. We smeared on vaseline for protection from the weather – a magnet for yet more grime. 

We soaked the chains in trays of petrol to remove the oily grit, and then disposed of the petrol by setting it alight. Dad once just tipped it on the garden but had to stop after Grandpa came for tea one day and complained: “This lettuce tastes of petrol.” 

We cleaned Dad’s pipes, scraping out the burnt black ash with a gadget barbed like a miniature medieval mace, and soaking up the evil-smelling gunge with fluffy pipe-cleaners.

Then it was time for nicer smells and sounds: the matchsticks that rattled in their flat green and red box with a picture of a swan on the top, the firework hiss and smell of sulphur when he struck one, and the clouds of sweet St. Bruno smoke. He would pack the pipe bowl with tobacco from a black and white metal tin (with new tins, you had to pull a rubber vacuum seal from the bottom before you could open the lid), put the stem between his teeth, suck a flame down into the bowl, and blow smoke from the side of his mouth with a satisfied expression and popping ‘p’ sound.

“Can I have a puff?” I begged. “Let me have a puff”. I was only four.

“Oh all right,” said Dad reluctantly. He held the stem of the pipe near my mouth. I was instantly sick. 

And then there were the fun jobs – playtime. We had a model steam engine, the “steam boiler”, which drove a flywheel through dual pistons, exactly like the one pictured. It had a brass water tank heated by a methylated spirit burner that slid underneath. Dad loved to take it out of its oily cardboard box and fire it up on the back room table. Once steam was up, it could be set in motion. The flywheel revolved at a fair old pace, puffing and rattling, spitting out a lethal mixture of hot oil and boiling water. It had a screeching whistle and a safety valve that blew like a railway engine when the pressure got high.

It was important the pistons were always oiled and that the water tank did not run dry. The spirit burner needed topping up frequently. The smell of methylated spirit mixed with hot emulsified oil is unforgettable. Once, we spilled methylated spirit on the table and it caught light. I watched fascinated as a lucent blue pool of flame spread slowly across the surface, Dad flapping it frantically with his hands, looking panicky.

A move to another house brought a whole new set of Thursday afternoon jobs, sanding and painting skirting-boards and staining wooden floors around the edges of carpet squares before fitted carpets became the norm. 

We painted the garden shed banana yellow. It leaked, so we mended the roof. I sat up there with Dad, ‘helping’ him tack down new sheets of roofing felt and painting it with hot black tar. Dad heated the tar to boiling point in an old paint pot on the kitchen gas cooker. Then, holding it with just a wooden cane through the handle, carried it bubbling and the smouldering tar acoss the kitchen floor, across the garden, and up on a rickety stepladder and on to the shed roof. It must have been a thoroughly hazardous operation. There were splashes of black tar on the yellow paint for years.

But there was still room for play-jobs. 

We found some old lead piping in the shed. Dad melted it on the kitchen cooker in an empty tin can, and then, holding it with pliers, poured the molten metal into toothpaste tins which had originally contained hard, flat, tablets of ‘dentifrice’ wrapped in red cellophane. You rubbed it with a wet toothbrush to form a lather. The empty tins were just right for moulding make-believe medals – possibly something Dad had himself made in this own childhood. After pouring the lead, the medals were dropped into a bowl of water and sizzled as they cooled. The embossed ‘Gibbs’ lettering transferred perfectly to the moulded medals. No one knew about lead poisoning then.

Perhaps it was just as well Mum went to Grandma’s on Thursdays. 

‘Dad’s Thursday Helper’ would have continued for me until I started school, but Dad was then able to do it all over again with my brother.

Sisters

This started out as one of those Google-powered rabbit burrows, beginning with Norma Waterson, the folk singer, who died at the end of January. She was born in ‘ull (American and non-Yorkshire: Hull). Mr YP mentioned her recently, and also, not so long ago, David Bowie’s collaborator Mick Ronson, who was also born in ‘ull. What other singers were born there, we wondered.

It sent me back to my mother’s Light Programme on the wireless in the nineteen-fifties. You would hear Ronnie Hilton singing about a mouse in a windmill with triplets and twins in, going clip-clippety-clop on the stair. He was born in ‘ull. David Whitfield too, the first British singer to have a number one in both Britain and the U.S. with the magnificently emotional Cara Mia.

Dickie Valentine was another of that era. What about him? Well, no, he was from London. What did he sing, then? Finger of Suspicion and Christmas Alphabet. But I thought Christmas Alphabet was by a female American group.

Yes: The McGuire Sisters. I remember them more for Sugartime. It’s on YouTube. Listen to those counter-melodies. Weren’t they good!

What about the Beverley Sisters: that’s near ‘ull. But they weren’t from Beverley; they were from London. Joy, Babs and Teddie. They were good too, and pretty, with distinctive harmonies. Here they are aged 20 and 23 (with 1947 cultural sensibilities): 

The matching qualities, the timbre, of family group voices can make pleasant listening, especially sisters. Take the Dale Sisters: Betty, Hazel and Julie Dunderdale, one of many sister acts that almost made it but not quite. They weren’t quite from ‘ull, but near enough to count. Their dad was a local butcher and Julie married our Geography teacher. They got off the ground in 1959 by winning a talent contest at Butlins holiday camp in Filey. They were also known as the England sisters:

The YouTube links, if you can’t see them are:

McGuire Sisters: https://youtu.be/bRvEHn6fKWE 

Beverley Sisters: https://youtu.be/-Ake5zUALFI

Dale Sisters: https://youtu.be/8O0gdFAJIT4

I am a Mole

We were sitting quietly, me reading the newspaper and Mrs. D. getting on with some important knitting.

“I am a mole and I live in a hole,” I suddenly exclaimed.

Mrs. D. looked concerned, as if I had acquired some kind of cognitive deficit. She had heard the phrase at the group she runs for people with memory problems, where one lady sometimes comes out the very same line, just as I had.  

I had to explain that the newspaper contained an obituary of someone called Allan Wilmot^* who had died in October, aged 96. I had never heard of him, but, along with his brother Harry, he had been a member of a Jamaican-British singing group, The Southlanders, who had enjoyed moderate success in the nineteen-fifties. I’d never heard of The Southlanders, either, but I knew their song: ‘I am a Mole and I Live in a Hole’. It was often played on Uncle Mac’s Children’s Favourites and at other times on the station then known as The Light Programme when I was little. I doubt I’ve heard it in sixty years, but the way the title line is performed is unforgettable. “I am a mole, and I live in a hole. Dum dum dum dum.”

Listening now, it’s great, although I doubt you’ll thank me for it.

I'm not a bat or a rat or a cat,
I'm not a gnu or a kangaroo,
I'm not a goose or a moose on the loose,
I am a mole and I live in a hole.

I'm not a cow or a chow or a sow,
I'm not a snake or a hake or a drake,
I'm not a flea or a wee chimpanzee,
I am a mole and I live in a hole.

Yarg yarg, quarck quarck, fried boiled or roast,
You're the slick chick I dig the most.

I'm not a ram or a clam or a lamb,
I'm not a hog or a frog or a dog,
I'm not a bus or a hip-potomus,
I am a mole and I live in a hole.

There were a lot of these ‘novelty songs’ on the ‘wireless’ before 1960. I would hear them as I moved my toy cars, trains and farm animals around the floor while my mother did the housework. I remember Pickin’ a Chicken, a Little Blue Man with a funny voice, Seven Little Girls huggin’ and a’kissin’ with Fred, an itsy bitsy teenie weenie yellow polka dot bikini, some creeps Standing on the Corner Watching all the Girls Go By, and that one full of terrible puns on the names of American States. Most were either silly, irritating or both, although not as irritating as the awful show-offs who learnt the words and insisted on singing them to you.

But I quite like ‘I Am A Mole’.  Mrs. D.’s memory group liked it too - members and helpers - although, sadly, the lady who seemed to know it hardly reacted at all. 

Evidently, The Southlanders eventually tired of it and wanted to take it out of their act, but audiences always expected them to perform it.


The video link, if you can’t see it, is: https://youtu.be/zs7nTAmMuwY

* Allan Wilmot came to Britain in 1947 after wartime service with both the Royal Navy and the RAF. After leaving ‘The Southlanders’ he became a Post Office Telephone Operator and helped set up the West Indian Ex-Servicemen’s Association. His elder brother, Harold (Harry) Wilmot, arrived in Britain on the Empire Windrush in 1948, and was father of the actor, singer and comedian Gary Wilmot. He died in 1961 when Gary was 6.

Eating in the Fifties

Someone sent me this. Apparently it made them think of me. 

I could add:

• Instant coffee was black, liquid, came in a square bottle and was something to do with camping.
  
• The only wine you had is what you did when told if you don't eat it up now you'll get it for breakfast, dinner and tea until you do.