Ready Steady Go

Click through images to BBC iPlayer

What a super two hours on BBC4 on Friday: Ready Steady Go, the music show that ran at 6 p.m. on Fridays on ITV from August 1963 to December 1966: The Weekend Starts Here.

There was an hour of documentary clips and memories from director Michael Lindsay-Hogg, producer Vicki Wickham, and the likes of Paul Jones of Manfred Mann, Gerry The Pacemakers Marsden, Martha Reeves and Georgie Fame (whose music I always rated for its sophistication). Then a further hour of archive performances.

Many of the original videotapes were wiped, popular music being thought ephemeral, but enough survives along with colour film footage shot for a documentary. As you might expect, there was a bit too much emphasis on The Beatles and The Rolling Stones – it would have been nice to see more of the less well remembered acts – but we did get to see Dusty Springfield singing Dancing In The Street with Martha and the Vandellas (way better than the Supremes any day) and Otis Redding performing with Eric Burdon and Chris Farlowe. Absolute magic. Some bits did look very dated, though, especially the mime competition.

Ready Steady Go was innovative and influential in the acts it booked – one of the first showcases for Tamla Motown on British television – and in the way it blended together with camera, audience, dancers and acts all mingling together. Many in the audience were Mods down from Sheffield’s King Mojo club.

I remember watching some of the programmes at the time: many at school thought it unmissable. For me it spanned those years from stamp collecting and trains to what was happening in the wider world.

I had to look up what happened to main presenters. The lovely and iconic Cathy McGowan is now around 77 but did not appear in the programmes. She was originally recruited to set off the smooth professional Keith Fordyce who died in 2011, aged 82.

The programmes are on BBC iPlayer until around 18th April, but knowing BBC4 they will probably be repeated ad infinitum.

Bridlington

I like this photograph. It was taken in the late nineteen-twenties at the Yorkshire seaside resort of Bridlington. The location appears to be beside the harbour wall looking up to Garrison Street.

There is something about the figures, their clothes and expressions, the composition, the depth of focus and the greyscale tones that reminds me of photographs by Frank Meadow Sutcliffe, the celebrated Whitby photographer. They all look very serious, as if about to emigrate to the New World perhaps, whereas, actually, they are on board for a short trip around Flamborough Head.

My dad, aged about 7, is to the right with his Jackie Coogan cap tight on his head, and my grandfather, in front of him, looks very smart in a suit and flat cap. They seem to be the only ones without raincoats or waterproofs, unless those loose ones are for their use. None appear to have life jackets. One wonders who the others in the picture were: are they three couples or is one of the women the daughter of the older man: Somerset Maugham with a pipe? Who could now know? My dad could easily be assumed to be with the couple behind him.

We have lots of other family pictures at Bridlington in the nineteen-twenties and -thirties: in deck chairs, on the beach by the sea wall, digging in the sand, paddling in the sea, walking around town. One, some two decades later, shows my pregnant mum with my dad and others on the sands. Nanna is gazing down at her bump with me inside as if for a caption competition.

Later, when I was little, we continued to go to Bridlington. Here I am in front of the Spa buildings, digging on the beach near the breakwater in my baggy white underpants. They look as if they would still fit me. I bet they made wonderful car polishing cloths. We went on the same trip around Flamborough, and when the sea was calm Dad would hire a rowing boat and row us out beyond the harbour mouth. I also remember visiting the Flamborough headland and being frightened by the fog-horn.

I haven’t been back much since. It seems to have a lot of noisy rides and fast food smells now. But, hoping to repeat history, I went with my young family one day in 2004. The cold wind and rough sea were too daunting for a sea trip, so we drove to Flamborough instead and climbed the 119 internal steps to the top of the lighthouse, terrified of the drop down the middle. Scary place, Flamborough.

For the nerds amongst us, Flamborough Head is a promontory to the north of Bridlington, the northern end of a band of cretaceous chalk that stretches through Eastern England down to the South Coast. A  27-metre lighthouse sits on top of 30-metre cliffs, giving a range of 28 miles to the horizon, high enough on a clear day to be able to see the Humber Bridge to the south near Hull. Inside the lamp room, a four-panel catadioptric lens revolves around an enormous light bulb (in the top central  square in the picture) to create a signature code of four flashes every fifteen seconds. It continues to revolve even when the bulb is off so as not to concentrate the sun’s rays and start fires. The light was automated in 1996 but when we visited there were still reserved parking places for the non-existent staff.