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Tuesday 1 October 2019

A Tale of Two Tea Pots

As mentioned before, I once lived in Scotland. I still carry around this now very crumpled Scottish one pound note as a reminder of that time.

Royal Bank of Scotland One Pound Note 1989

I had a close friend there. She was attractive and intelligent, and did not put up with nonsense. We went to the cinema, classical concerts, the ballet and on country walks. She taught me Scottish words and phrases, and introduced me to Lewis Grassic Gibbon’s A Scots Quair. She stayed with me a few days when she moved house, and I stayed with her for my last couple of days in Scotland after getting my own house ready to rent out. Perhaps, in other circumstances, at a different time, it might have been more than a friendship.

I left Scotland at the end of the nineteen-eighties for a job in Nottingham. Soon after, walking along Pelham Street, or was it Goose Gate, I spotted a cheery Chinese tea pot in a shop window. I bought one, packed it up very carefully and posted it to my Scottish friend for her birthday. She was absolutely delighted.

Chinese Style Tea Pot

I then fell in love with the future Mrs D. who was also attractive and intelligent but did put up with nonsense. Wondering what to buy for her birthday, I thought of my Scottish friend’s tea pot, so returned to the shop and bought another, exactly the same. She was absolutely delighted. It seemed neither necessary nor appropriate to mention the earlier one and I forgot it. We were married around a year later. My Scottish friend came to the wedding and was pleased to say grace because she was by then a Church of Scotland Minister.

My house in Scotland had been rented out not through choice but because at the time it was impossible to sell. Eventually, market conditions changed and someone bought it. I drove up with Mrs D. to sort things out for the last time. Before coming home we called to see my Scottish friend at her Manse near Stirling. 
 
She offered us tea and biscuits. On the tray was her Chinese tea pot. My wife spotted it immediately. She was not delighted.


There's more about my Scottish friend in this earlier post: Jumped Down Catholics (it's quite long)

Thursday 26 September 2019

Review - Alan Sillitoe: The Loneliness of the Long Distance Runner

Sillitoe: The Loneliness of the Long Distance Runner
Alan Sillitoe
The Loneliness of the Long Distance Runner (4*)

What made me pick this volume of nine Alan Sillitoe short stories so soon after reading Saturday Night and Sunday Morning? I must be a glutton for punishment. Most of the characters are distinctly unpleasant.

Best known is the title-story filmed in 1962 by Tony Richardson with Tom Courtenay in the leading role as shown on the cover. As with Saturday Night…, it is a bleak, post-war, working-class Nottingham story in which a difficult-to-like hero is in other ways admirable. Borstal boy Colin Smith explains his personal philosophy around events leading to his incarceration and the emergence of his natural athetic talent. Selected to compete in a race he is sure to win and thereby enhance the reputation of the borstal, he throws it in the home straight to spite the Governor because he believes it the right thing to do. What was there for him to go back to? Nothing: not even running.

The same sense of hopelessness runs through the whole collection. All the stories are set in similar sad and underprivileged backgrounds. Some might better be described as vignettes. This is the suffocating world of working-class people before post-war consumerism and expansion of opportunity. You wonder, like Ian Dury or Kate Atkinson perhaps, how close you came to any one of these lives being your own.

Like the penniless schoolboys in Noah’s Ark who swindle and steal to afford the rides at Nottingham’s Goose Fair. Did one of them later become Colin Smith? Or the boy who watches impassively as a man attempts to hang himself On Saturday Afternoon. Or Frankie Buller, a young man with what we would now call a learning disability, who leads an “army” of younger boys in military games.

Or, later in life, what about Uncle Ernest, a damaged and solitary middle-aged man who befriends two undernourished schoolgirls in a cafĂ© simply because he is lonely and wants to help in exchange for friendship? Of course, no one trusts his motives, especially the police. Or Mr. Raynor the School-teacher, who ogles girls in the draper’s shop across the road from his classroom window? Or the postman in The Fishing-boat Picture who lives alone after his wife leaves him for a housepainter but years later returns to visit every Friday evening, leaving so much unsaid that she never reveals her true circumstances? Or Lennox, whose wife walks out with the kids when he comes home in a mood and picks a fight after watching Notts County lose? Or Jim Scarfedale, a working bloke, who, after the breakdown of his marriage across the class-divide, returns “to his mother’s apron strings” and turns to molesting little girls?

There but for the grace of God! But I was born as the world began to open up, and passed to go to Grammar School, which created chance after chance despite poor exam results and false starts. The trouble is, contest it as you might, it can turn you into something of a snob. Is that why I don’t like the characters?

Not a comforting read, but a strangely satisfying one.


Key to star ratings: 5* would read over and over again, 4* enjoyed it a lot and would recommend, 3* enjoyable/interesting, 2* didn't enjoy, 1* gave up.  

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