The new kitchen; not quite finished. Still awaiting new blinds and flooring. I also have bits of painting left to do such as the skirting board, ceiling and around the windows. At least the two weeks of takeaways, eating out, ready meals and washing up in the bathroom are over. Zoomers can get to work on the pictures and scrutinize our minutiae: Who is Katharine? Who takes max strength congestion relief? Who’s the Big Mug? (it’s me) Good job we haven’t hung up the calendar and notice board yet. It all feels much lighter and roomier than the worn-out, twenty-five-year-old configuration it replaced, although even that was luxury compared to kitchens of old.
Here is my grandma in her kitchen in 1964; in fact, it was not just the kitchen, it was the bathroom and the laundry room as well. The (what is now known as a) Belfast sink was the only place in the house with running water. It was not so many years since they had to fetch water from the village pump. The tall screen on the left was unfolded and placed across the alcove for privacy when washing. It would be mostly in cold water: the electric geyser was a relatively recent addition. Previously, water had to be heated on a large, black and silver, cast-iron, coal-fired range to the left of the camera and carried across the room. Look at the damp on the wall behind her.
For many years there was no flushing toilet. She had one outside by this time, but originally there was only an earth closet, the contents of which would be shovelled through an opening in the wall into the adjacent open-roofed ‘ash midden’ and burnt with the household rubbish.
She brought up a family of four there.
My mum’s kitchen around the same time is better equipped but not dissimilar. There is a top-loading washing machine on the right, a gas cooker on the left, and gosh, is that a mixer tap? By this time water was heated by an electric immersion heater in the bathroom water cylinder. There was also a Baxi back boiler behind the front room fireplace.
The sink and draining board are enamelled and mounted on formica/melamine cupboards. Above is a high wooden shelf for pans, and behind were floor-to-ceiling drawers and cupboards which were built-in new with the house in the nineteen-twenties; the other houses in the row had the same. The plastic bag hanging on the wall contains ‘silver paper’ (aluminium foil) and milk bottle tops for charity. Like her mother, she has a mirror hanging above the sink. The walls are tiled and free of damp and we have a separate bathroom, but by today’s expectations, it’s still quite basic.
Later in the sixties, we moved to a house with a serving hatch and an Aga cooker: real ‘Abigail’s Party’ stuff. But it still had the same kind of laminate drawers, cupboards and worktops. My mum now has a food mixer and there is a stand-alone spin dryer beneath the work surface in the corner. We also now had a fridge. I have no recollection of what the dispenser-like gadget screwed to the wall of the serving hatch could have been. It was a nuisance keeping the Aga going all summer, but in winter the house was always warm despite a vague but persistent sulphurous smell from the smokeless fuel. Mum didn’t like it. It was too like cooking on her mother’s coal-fired range. She eventually replaced it with a gas cooker.
The room is populated by a chip pan, dirty cups and beer glasses. The black and white picture contains a ubiquitous Russell Hobbs K2 electric kettle, although I think we lost that when someone moved out because the later colour picture has one that heats on the gas cooker.
Look in the other direction and you see what I mean by ‘pigsty’. No one ever did any cleaning. The formica/melamine unit with its gathering of nineteen-seventies tins and packets is simply disgusting. No wonder we had mice. The medieval toy soldiers above the cellar door, shields glinting in the flashbulb, came free inside breakfast cereal packets.
My kitchen standards have clearly come a long way in fifty years. No doubt, commenters such as arty Rosemary from her ex-gamekeeper’s cottage in the South-West of England with it's beautiful grounds and one hundred elegant objects will say of the new one (going by what she so woundingly said of our garden because she’s Northern and has to say it straight): “It’s not much of a kitchen is it?” She will explain it simply follows the humdrum nineteen-fifties American form originating in Benita Otte’s nineteen-twenties Bauhaus design: the seamless look of built-in worktops and cabinets with integrated appliances. She might even go so far as to say the flat panels in the cabinet doors clash with the raised panels of the room door.
Actually, we like the rounded corners and sage green doors. Mrs D. has been saving up for four years to pay for it. The only thing is, it cost more than a whole house would have cost in the nineteen-seventies.
