Writers At Heart

Bloggers are writers at heart. We paint patterns in words, feel their force and hear their harmonies.

A few have written for a living. At least one I follow, Brian Sibley, is an accomplished author and radio dramatist. He blogs but does not engage in comments. Another, Hameldaemepal, is, I believe, a retired journalist. He comments but does not engage in blogging. Others have enjoyed writing at work, say, as teachers or report writers. I even wrote computer manuals for a time.

Many of us have been writing all our lives. As a child, I tried to write stories and poetry, and intermittently kept an diary (“went trainspotting at monkey bridge”). I wrote a family newspaper to send to cousins (“Loch Ness Monster seen in River Humber”), forms for others to fill in at school (“Enter your name and address to join the Black Hand Gang” – so named because my John Bull Printing Outfit fortuitously contained a pointing hand symbol), and, as we did then, I liked writing letters. 

It continued after school. I attended a writers’ workshop in Leeds where one session was led by a tall chap called Harry. I’m not certain but suspect he was Jack Higgins. I should have paid more attention. At work, it was more fun writing spoof newsletters than studying for accountancy exams (“Mr. Hawkwind mugged on way back from bank with firms’ wages for the month of June. Over twenty pounds stolen.”). It got me into some trouble. Then, when I went late to university, there were spoof information sheets on notice boards.

I still have some of the university ones. The first arose out of the way we received assignment marks: through lists pinned up in the Department. Instead of by name, we were identified by anonymous numbers: 1501 62%, 0007 68%, 2486 55%. Number 0007 always did well, and, being a memorable number, everyone noticed. This irritated me somewhat because it was me. Very soon, my marks were public knowledge.

I could not resist retaliating with an imaginary set of results for an assessment of lecturers’ competence (never imagining that some years later such an exercise might take place for real). It went something like: 9507 74%, 8872 65%, 8077 58% … 9037 24%. Underneath it added: “Please would lecturer 9037 report immediately to Head of Department, Professor Brener.”

Never underestimate your readers. Next to the note at the bottom someone had written: “It is Professor Brener”.

Posters on the Wall

Guinness, Smirnoff, Accountancy and Monty Python

(First posted 17th October, 2015. 1,040 words)

There was a time when no self-respecting, young person’s bedsit would be complete without an iconic Athena poster. Along with the thousands of other young persons who had exactly the same one, it was a statement of your individuality. Full-blooded young males could have a sexy French lingerie model or the knickerless tennis girl absent-mindedly rubbing her naked bottom (gratuitously included here). The more emancipated might have the muscular man cradling a baby. For the rebellious it would be Jim Morrison or Jimi Hendrix surrounded by psychedelic swirls. The arty could choose a fine reproduction print, perhaps a Salvador Dali to indicate their leanings towards the avante garde. For the revolutionary Marxist it had to be Che Guevara. For those of a philosophical bent it might be seagulls in mid-flight, quoting Virgil: “They can because they think they can.”

Athena outlets sprang up in most large towns and cities, and for a couple of decades they made good profits. Not out of cheapskates like me though. My walls were adorned with a scruffy and eclectic mix of images acquired entirely free of charge. Here are some of them in my attic bedroom in our dingy shared house in Leeds in 1972, next to some colourful ink blots on blotting paper, the product of an idle, unsupervised afternoon at work.

One was a Guinness poster to show that independence and resilience were important parts of my individuality. You had to be pretty independent and resilient to drink the stuff. No one else I knew liked its burnt and heavy flavour. I’m not even sure that I did.

I had sent Guinness a sycophantic letter admiring one of their newspaper adverts: ‘How to Make Guinness’. Back came a roughly A2-sized poster in a cardboard tube.* It caricatured the process from harvesting the barley through to delivery by road tanker, and gave sound advice on how to avoid common errors such as brewing it upside down with the head underneath the body.  

Then there was the Smirnoff poster: “Accountancy was my life until I discovered Smirnoff.” Well, it was true, accountancy was my life, and I dearly wished it wasn’t. Oh that something so simple as learning to handle a bottle of vodka could instantaneously transform it from the humdrum into one of glamour and excitement! But, from the other adverts in the series, I would rather have been the camel train trekker who used to take the caravan to Southend but now traversed the desert, or the mainstay of the Public Library who had escaped to carefree rural reverie, rather than the suited, cigar-smoking, nineteen-thirties City of Westminster gangster in the wide-brimmed Panama hat.

Anyone would have thought that accountancy was boring. Well, thanks to John Cleese and Monty Python, that is exactly what most of my contemporaries did think. Most damaging was the ‘Vocational Guidance Counsellor’ sketch about an insignificant little man whose careers advisor declared without doubt that the ideal job for him was chartered accountancy. “But I am a chartered accountant,” he protested. He wanted a new job, “something exciting that will let me live.” He wanted to be a lion tamer. Chartered accountancy was “dull, dull, dull ...”,  a career in which it was a positive advantage to be “unimaginative, timid, lacking in initiative, spineless, easily dominated, no sense of humour, tedious company and irrepressibly drab.” The sketch ends by asking for donations to The League for Fighting Chartered Accountancy: “this terrible debilitating social disease.” I am certain it influenced my subsequent rejection of the career. So much for independence and resilience.

The senior partner where I worked found the sketch so offensive it became practically a dismissable offence to admit you watched the programme. John Cleese, however, discovered that his own accountant was not offended in any way at all. When asked why, he explained it was because the sketch was about chartered accountancy, whereas he himself was a certified accountant.

But a fervent Monty Python fan I was, one of those who could recite ‘The Piranha Brothers’ and ‘Room for an Argument’ off by heart. We even used to audio-tape and transcribe the television shows so we could act them out ourselves in our shared house. My brother used the school’s photographic equipment to make a poster from the Whizzo Quality Assortment page of Monty Python’s Big Red Book. This showed a box of chocolates containing such delights as Crunchy Frog, made using only the finest baby frogs, dew picked and flown from Iraq. “Do you take the bones out?” “No, it wouldn’t be crunchy if we did.” That poster went on my wall too.

In 1973, I went with a group of mates to the Leeds Grand Theatre and Opera House in New Briggate to see Monty Python on tour. Many of the sketches, such as ‘The Parrot Sketch’, and the animations projected on to a screen, were straight from the television series, but there was some new material too. In one sketch a group of bowler-hatted city gents were sitting on stools reading newspapers in a cocktail bar. It got its first laugh simply by using language you would not then have expected in a theatre, not even in Monty Python: “I see Nixon’s had an arsehole transplant.” The punchline brought the house down: “It says here the arsehole rejected him.”

The programme for the show was in the form of a huge poster. Many of them ended up gliding gracefully across the vast auditorium in the form of paper aeroplanes, but with my bare walls in mind, I carefully rolled mine up and took it home. Here it is, well just the lower edge of it, at the other end of my attic room above a messy desk of reel-to-reel tapes, guitar music and the camera case. I still have it today in the Guinness cardboard tube, much faded, its corners damaged by drawing-pins and blue-tack.

* With it came a smaller poster, ‘How to economise on Guinness’, which suggests mixing it half and half with champagne to make ‘black velvet’. This can be seen to the right of the ‘How to make Guinness’ poster.

I have now found a coloured copy of the ‘How to make on Guinness’ poster:

Partners and Seniors

(First posted 6th October, 2015. 1,050 words)

Andrew and I were speaking in hushed voices, trying to look as if we were working.

“G-eight”
“Splash”
“B-nine”
“Miss”
“G-nine”
“You’ve hit Mr. Hawkwind.”

We were playing Partners and Seniors. It was based on Battleships, a pencil and paper game for two players.

In Battleships, each player draws two 10 x 10 grids for their own and their opponent’s fleets of warships, and positions their own fleet secretly in their own grid. Typically, they would have an aircraft carrier occupying five squares, a battleship occupying four, a destroyer and a submarine of three squares each, and a minesweeper occupying two. Neither player should be able to see the other’s grids.

The objective is to sink your opponent’s fleet before they sink yours. There are many variations but we played it as follows. Players take turns to shoot by naming a square in the opponent’s grid. If the square is occupied by one of the opponent’s ships then it is announced as a ‘hit’. If the square is adjacent to an opponent’s ship it is a ‘splash’. If the square is neither occupied nor adjacent it is a ‘miss’. A ship is sunk when all its squares have been hit. Players use their second 10 x 10 grid to record the results of their shots and to decide where to target subsequent shots.

Except we weren’t playing Battleships. Our game had evolved into Partners and Seniors. In place of warships we had Chartered Accountants. Instead of aircraft carriers, destroyers and minesweepers, we had partners, seniors and articled clerks from the firm where we worked. Mr. Hawkwind was one of the partners. He occupied four squares.

We were working out of the office on the most mind-numbing of all the audits we did. You could be there for months putting ticks on ledger cards. It was like disappearing off the face of the earth.

The client was a cloth merchants, an old family firm. They bought rolls of cloth from the manufacturers in every weight, weave, colour, stripe and herringbone imaginable, and re-sold it in suit lengths – the amount needed to make men’s bespoke two-piece or three-piece suits, with or without extra pairs of trousers. The rolls of cloth were stored elsewhere in the building, away from the damaging effects of heat and light. The cool, shadowy stillness of the warehouse had a strange musty smell: a mixture of dyes, preservatives and the scent of the cloth itself.  

The firm supplied just about every tailor and outfitter in the country. In other words, they had a lot of customers: twenty trolleys full. For each customer there were one or more yellow sales ledger cards around eight by ten inches in size. The cards were arranged alphabetically in boxes on long-legged, wheeled trolleys like miniature babies’ prams. They referred to them as buses. “Have you seen the ‘B’ bus?” “Could I have the ‘QR’ bus when you’ve finished?”

Some of the office staff had been there for decades, from the days when most clerical jobs were done by men. They all still wore suits and ties, and kept their jackets on all day. Only the office manager, in the room next to ours, worked in his shirtsleeves. He was not an attractive sight: a fearsome, grossly overweight man who always left his unpleasant outdoor shoes, or in winter his stinking wellington boots, beside the radiator.

One of the clerks, in his mid-forties, all worry-lines, teeth and thick glasses, would have been tall had he stood upright, but was bent over from years at a desk. As he stooped to push the ledger buses, his jacket draped itself around the cards as if trying to consume them.

One Friday afternoon we listened, able to overhear the office manager tell the clerk, completely out of the blue, that he was no longer needed. “You realise this is absolutely no reflection on you in any way whatsoever,” he tried to reassure him, as if it made things better. The clerk seemed unable to reply. A week or two later his job was taken by a new girl straight from school.

The business was beginning to struggle and trying to cut costs. Demand for made-to-measure suits was falling because of changing fashions and cheaper, ready-made, ‘off-the-peg’ garments. One floor of the warehouse was now empty. Within not so many years the family owners would decide to give up the ghost and lease the building to the old adversary: the Inland Revenue.

But that was in the future and the firm still had a few years left to run. As auditors, we were required to check that every sale the firm had made during the year had been correctly recorded on the correct ledger card. So for several weeks each year, a couple of articled clerks would spend their days ticking off the cards against the order books and sales invoices. Then, to ensure they received an appropriate breadth of professional experience, they would go through all the incoming payments and tick those off against the ledger cards too. One year you would use a red pen, the following year a green, and then back to red again. The exhilaration was tangible. You really looked forward to getting up in a morning.

What made the task seem even more superfluous was that the ledger cards were partly computerised. They were printed by machine, and each yellow card carried three dark-brown, machine-readable, magnetic stripes to record all the transactions. It was an early, primitive system, but really, wouldn’t some kind of statistical sampling been sufficient to ensure the cards were reasonably accurate? Any mistakes that crept in could have been corrected as and when they were discovered. The firm must have wanted everything checked by the auditors. Articled clerks were paid a pittance so it didn’t cost a lot. Perhaps they needed to keep tabs on the inexperienced staff they were now taking on. 

I never did find an error. That is not to say there weren’t any, but the job was so soporific that any I came across would probably have got ticked correct anyway.

Is there any wonder we invented diversions such as Partners and Seniors and firing rubber bands at paper cups to brighten up the day? 

“J-nine”
“You’ve just sunk Mr. Hawkwind.”

Mr. Hawkwind would have sunk us if we’d been caught. 

Fish Finger Sandwiches (with Piccalilli)

In response to a comment about fish fingers I made recently on his post about home-made oven chips, the usually infallible Mr. YP said he thought only small children ate fish fingers. Well, wrong! Those of us who remain eternally young at heart still do, a favourite from my teenage years, staple Friday night fare ready on returning home for the weekend from my digs in Leeds after leaving school.

I have never blogged a recipe (unless you count Dill in Mustard Sauce), but if Debra Who Seeks can do it for the first time in twelve years then so can I for the first time in six, as we would appear to share similar gastronomic preferences. So here is: Fish Finger Sandwiches (with Piccalilli).

Put the fish fingers straight from the packet on to a tray and grill for about 15 minutes, turning once or twice. In the meantime, cut and butter the bread.

When the fish fingers are done, put them on to the bread. As it is important to have a balanced diet with plenty of vegetables, spread with piccalilli. Assemble the sandwiches. Don’t worry if it looks a bit messy, it will get much worse once you begin to eat them, and so will you. It might help to have a couple of tissues handy. Those plastic bib-trays that toddlers and geriatrics hang round their necks are also useful.

If you are one of those obsessives who consumes excess vegetables with every meal then you could try Mrs. D’s less messy variation in which the fish fingers are placed on a bed of sliced radishes with mayonnaise. Keep one fish finger spare so you can cut a square for the cat (who, preferably, will have its own plate).

For pudding (no, not him again), three satsuma oranges are a perfect complement, although the more discerning might wish to try Newcastle Brown 99, another of my original Leeds-era recipes (bite a chunk of Cadburys Flake, take a swig of Newcastle Brown straight from the bottle and mix in the mouth).

The Compton Road Library

Leeds Compton Road Library in the 1980s

This ‘memoir’ started as a kind of autobiographical attempt to understand how things changed during my time and how I got to where I am, a record for posterity in the forlorn and vainglorious misbelief that someone might one day be interested. I hope it is not too tedious to return to this idea now and again.

One thing I wonder about is how I fell into such an agreeable career in computing and universities after badly messing up three previous chances: failed ‘A’ levels, abandoned accountancy training and student teacher dropout. Fortunately, for post-war baby boomers, chopping and changing was easier than for any other generation before or since.

At twenty-four I was in a run-down shared house and ordinary office job, a lowly clerk with a Leeds clothing manufacturer. It was pleasant enough: home at five, no exams, no correspondence courses, no expectations. It was the largest clothing factory in Europe: cheap suits, nice canteen, warm sausage rolls on the tea break trolley and three hours in the pub every Friday afternoon. You could idle your whole life away. One lad just four years older had already done fourteen years. Real old-timers still talked fondly of Sir Montague, the firm’s founder, and crossed off their days to retirement on the calendar.

With my record what else could I do? Backtrack? Repeat the same things? They said to take the Cost and Management Accountants exams but I barely went through the motions. Eighteen months drifted by. Yet in that time I made progress – seemingly by doing nothing much at all. 

Along the road was the tranquil lunchtime retreat of the Compton Road Library, an L-shaped building on the corner with Harehills Lane: the adult library in one wing, the children’s in the other, always warm, always silent, a pervading smell of floor polish throughout. Like all libraries then, they still used the 1895 Browne Issue System: the Pinterest photograph shows the catalogue drawers and tray of readers’ tickets holding cards from books out on loan.

It seemed far more extensive than the picture shows. I got through three or four books a week. It felt like a displacement activity but some left quite an impression. What did I read all that time ago?

There were walking and mountaineering books. Chris Bonington’s I Chose to Climb and The Next Horizon really caught my imagination. I acted them out on walks, scrambled up mountains, bought a Minivan, grew a beard and tried to write things. I took W. A. Poucher’s The Scottish Peaks, a treasure trove of routes and photographs, to Glen Brittle in Skye in the Minivan door pocket and got it soaked. It looked so awful I daren’t take it back, so said I’d lost it and had to pay £1. I’ve still got its stained and curly pages.

There were biographies and autobiographies. I dreamt of escaping like a hermit to some isolated part of Scotland, like Gavin Maxwell in Ring of Bright Water. I tried to emulate R. F. Delderfield who mentions in For My Own Amusement that as a young writer he had been advised to write character sketches of people he knew: “mental photography” he called it. I wondered what it might be like in a garret in Paris struggling to be a writer like V. S. Pritchett in Midnight Oil, “a free man in Paris, unfettered and alive,” as Joni Mitchell put it.

I was unimpressed by Jonathan Aitken’s The Young Meteors in which he interviewed over two hundred leading lights of pop music, film, television, art, photography, clothing, design, politics and business from nineteen-sixties ‘swinging’ London. Some were truly talented but many had either known the right people or just been lucky. 

There was fiction: A. J. Cronin, O. Henry and more – anything so long as it was not accountancy.

And all the time I was asking “could I do that?”, “could I be like this?”, “could I write like that?”

We reach a point in our lives where we need to construct an identity for ourselves: to decide who we would like to be and who not. Some manage it as teenagers, others later and a few possibly never. Some get there gradually, others in leaps and bounds. It might take no conscience effort or be a tortured, soul-searching experience. It can take several attempts. For me, it was definitely late, bounding and tortured with false starts. 

“It’s a good career, accountancy. Stick at it. You’ll be all right once you’re qualified,” they said, but I was reading about people who had made their own way.

I was never going to chuck everything in for a Parisian garret or Scottish hermitage, but back came the idea of becoming a mature student: at university, not a return to Teacher Training College. The only way would be to take ‘A’ Levels again, a daunting prospect. I approached temp agencies to work flexibly while resitting them, and handed in my notice.

“Don’t cock it up again,” said one of the few supportive friends I had left, mock anguish on his face as he imagined the consequences.

“Course not,” I said with pretend confidence, not too sure.

One thing I am sure of though. A decade or so earlier there would have been no chance. In all likelihood, it would have been national service, back to where I came from, a mundane job and family responsibilities sooner rather than later. Ties. Restrictions. Few opportunities. I doubt I would get as many breaks now, either.

The Exorcist (reposted by beetleypete)

Pete Johnson (the prolific WordPress blogger beetleypete) generously offered space for guests on his blog. I jumped at the chance because he has almost 5,000 followers. I wondered whether there might be interest in my piece about the film The Exorcist originally posted over four years ago during my early blogging days. In all that time it had less than 200 views. Pleasingly, it turned out to be one of Pete’s most viewed posts this week with a cacophany of comments. [my spelling is corrected in the comments below]

beetleypete's guest post invitation is here

the reposted post on Pete's blog is here

The Exorcist

When my son was about eight, he wanted to know what was the scariest film I had ever seen.

“Well,” I said, “there are quite a few, but one of them is so scary that even its name is too frightening to say.”

No eight year-old would let me off that easily, and when it became obvious he was not going to give up I said that I would only tell him when he was eighteen. For now, all I was prepared to say was that it began with an ‘e’. “The rest is too terrifying to think about,” I repeated.

“Excalibur” he said without hesitation, trying to guess.

“I don’t think there is such a ....”

“Yes there is,” he said, “what about The Executioner?”

“Even if it was I wouldn’t tell you,” I said after again having been corrected about the existence of such a film.

“Excrement,” he guessed. I really doubted that one, but not wanting to risk being found ignorant a third time I simply repeated what I’d said already.

This continued on and off for the next few weeks ....
 
Read original post (~1200 words)

Angry Young Men

Alan Sillitoe: Saturday Night and Sunday Morning (4*)
John Braine: Room at the Top (4*)

Two more nineteen-fifties, angry-young-man novels: tales of northern working-class life set just after the war before the sixties and seventies provided an escape route from lives which would otherwise have been as predetermined as those of our parents. Thank goodness I was not born ten years earlier. I would never have had a chance, let alone a fourth chance after blowing the first three.

Saturday Night and Sunday Morning begins with a nauseating scene of drunkenness and extra-marital sex. Arthur Seaton is a lathe operator doing piecework in a Nottingham bicycle factory. He earns good enough money to spend on nice suits and as much as he can drink at weekends. He can certainly drink a lot: eleven pints and seven gins to start, and then fall down a flight of stairs, wake up and drink a lot more and still have enough left to go to bed with a married woman while her husband is away.

In contrast, Joe Lampton in Room at the Top seems more civilised. He moves from the ugly industrial town of Dufton to the pleasant manufacturing town of Warley, both in Yorkshire, to take up a post in the municipal accountant’s department. From his thoughts you know he later becomes a wealthy man and that this is the story of how he got there.

While Arthur is uneducated and lives in the large extended family where he was born, Joe has accountancy qualifications and is making his way alone in a new town. What they have in common is that both are good-looking and clever, and both are trapped. Arthur is set to spend the rest of his life tied to a lathe and Joe will remain a local-government functionary, perhaps a gentler existence but hardly any better-off. White- or blue-collar the same: you slaved for small reward. Both resent it but respond in different ways.

At first, you want Joe to do well. It’s hard living in lodgings where you know no one, I’ve done it. But soon you begin to see into Joe’s vain and selfish mind and don’t much like what you find. He judges people, especially women, on a social scale from 1 to 10 and is determined to shag himself to the top. He starts at the town’s amateur dramatic society where he takes up with a worldly married woman, ten years his elder, for whom he develops some feeling, and also with the innocent high-class daughter of one of the wealthiest men in the town, who he doesn’t really love:

I was the devil of a fellow, I was the lover of a married woman, I was taking out the daughter of one of the richest men in Warley, there wasn’t a damn thing I couldn’t do.

Joe’s story leads to tragedy after he gets the wealthy daughter pregnant so he can marry upwards and join her father’s business, and then ditches his married lover who dies in a suicidal drunken car crash. Joe knows he is responsible, leaving an enduring sense of guilt, but it makes him no more likeable.

With Arthur, it’s the other way round. You think he’s disgusting at first but gradually come to understand and even have time for him. He is a rebel fighting against social norms:

I'm me and nobody else; and whatever people think I am or say I am, that's what I'm not, because they don't know a bloody thing about me.

Eventually, he is badly beaten by one of the husbands he has been cuckolding and confined to bed for a week. Recovering during a lively, crowded family Christmas, he comes to realise that even a rebel can be happy “where there’s life and there’s people”. At the end of the novel he is courting a single girl and planning to marry, but is never going to knuckle down completely:

And trouble for me it’ll be, fighting every day until I die… with mothers and wives, landlords and gaffers, coppers, army, government… dragged up through the dole and into the war with a gas-mask on your clock, and the sirens rattling into you every night while you rot with scabies in an air-raid shelter. Slung into khaki at eighteen, and when they let you out, you sweat again in a factory, grabbing for an extra pint, doing women at the weekend and getting to know whose husbands are on the night shift, working with rotten guts and an aching spine… well, it’s a good life and a good world, all said and done, if you don’t weaken.

Truly an angry young man.

Two and three decades later, I knew the settings of these books. Warley is perhaps Bradford or Bingley where Braine grew up and became a librarian. Life chances had increased for the young by the time I was travelling the mills and factories as an auditor, but I came across hundreds of all ages still stuck in the same old class-bound tram tracks. Things did change. We know now that a real Joe Lampton in a town hall would probably have become moderately successful through local-government expansion. But the one that stepped up through marriage would have had to be pretty smart when his business inevitably went bust.

Later, I lived in Nottingham for five years and remember the local dialect so brilliantly captured in Sillitoe’s novel (shopkeepers used to ask: “D’yer want enythink else duck?”). I went to Goose Fair and drank in The Trip to Jerusalem, and walked the country paths around Wollaton and Strelley where Arthur takes women and goes fishing (the locations are described by The Sillitoe Trail web site).

‘Saturday Night and Sunday Morning’ is the only truly working-class story of the four so-called angry-young-man novels I’ve written about (the other two being university lecturer Jim Dixon in Lucky Jim and draughtsman/shop manager Vic Brown in A Kind of Loving; and should I include Billy Liar as well?). A real Arthur Seaton would have faced the hardship of redundancy and the dole when the factories closed. Had I come across anyone like him or his hard-drinking, hard-knuckled family, I wouldn’t have dared go near them. I guess that’s because I did indeed escape and now my family mock when I claim to be working class.


Key to star ratings: 5*** wonderful and hope to read again, 5* wonderful, 4* enjoyed it a lot and would recommend, 3* enjoyable/interesting, 2* didn't enjoy, 1* gave up.

Previous book reviews 

Articled Clerk

“You’ll make a lot of money as a Chartered Accountant” was the only thing of substance the headmaster said at the end of grammar school. I could guess what he was really thinking. “Not university calibre.” “Not even college.” Stuck-up southern git!    

It was strange that someone so southern had chosen to become a headmaster in such a working-class northern town. He spoke with such judgemental self-assurance you were convinced his pronunciation must be correct and yours miserably deficient: “raarzbriz” instead of “rasp-berries”, “swimming baarthes” rather than “swimmin’ baths”, “campany derrectorre” not “kumpany dye-recter”. It was not universally welcomed.

“You’ve written here that your faarther is a campany derrectorre. What sort of campany derrectorre?”

“He’s got a shop – Millwoods”

“Really? I thought Millwoods was owned by Susan Mellordew’s faarther.”

He appeared not to believe me. Oh to have that conversation again knowing what I know now. 

“Perhaps the Mellordews would like others to think that,” I should have said.

Grammar schools were set up to get people into university, or at least teacher training college. Everyone else was a failure to be eased into the grubby world of banking, accountancy or other forms of servility, unless you were a girl, in which case they didn’t really care either way because you would be married with kids in a few years’ time. I didn’t care either. I was quite taken by the idea of making a lot of money, especially as all six of my university choices had given me straight rejections. 

At least the local accountants wanted me. They phoned my dad to change my mind about going off to a job in Leeds. “He’ll get just as good experience here,” they told him, but he decided not to pass the message on, as if they wanted me but he didn’t.

I had tried York first. The area training coordinator at The Red House sent me round to Peat, Marwick and Mitchell, one of the biggest and most powerful firms in the country (as KPMG they still are), to be interviewed by another stuck-up posh git whose laconic disinterest oozed the impression that he had indeed made a great deal of money. He would have got on just fine with my headmaster. Not for the last time did I feel I might have done better had I been to Bootham’s or Queen Ethelburga’s.* Real chip-on-the-shoulder stuff!

The Leeds firm were more down to earth. Their offices were in what had once been a cloth warehouse with large airy windows; less depressing than the pokey accommodation of the other firms. A simple half-hour chat with one of the partners, during which I managed to avoid showing too much stupidity, and the job was mine: five years as an articled clerk. I started on the 9th September, 1968; exactly fifty years ago today. 

The thing is though, in those days, firms of accountants were desperate for articled clerks. At face value it was attractive: a form of indentured apprenticeship under which a qualified accountant undertakes to inculcate an articled clerk into the principles and practices of the profession. In reality it was cheap labour. They sold it to school leavers through discreet ads in the situations vacant columns, next to those for hair restorers and varicose veins. “Leaving school? Why not become a Chartered Accountant?” It would not have looked out of place if they had added: “No one need know; confidentiality guaranteed.”

Ads were discreet because accountants were not allowed to tout for business, although as things began to change, the bigger firms pushed the boundaries with larger, more flamboyant offerings designed by expensive agencies. One of the most memorable went: “Some think Wart Prouserhice is just as good as Horst Whiterpart, but we know it’s best at Price Waterhouse.”

Today, accountancy training places are so sought after they won’t even look at you unless you have at least a 2:1 and an impressive portfolio of extra-curricular leadership activities – an internship in the House of Commons; volunteering with Ebola victims in Africa; representing Great Britain in the Winter Olympics; that kind of thing. You might then get invited to a day of written tests and observed activities, and if successful to a nerve-racking interview panel. Those who went to Bootham’s or Queen Ethelburga’s might then be offered a place. Back in the nineteen-sixties, five ‘O’ levels and you were in.

Not so many years beforehand, articled clerks had been expected to pay a premium for the privilege of the job. At least by 1968 you got a salary, if that’s what you could call it. Mine was £360 per annum.

Really? Well yes. Here are my first two pay slips. The first covers from the 9th to the 30th September, 1968, i.e. twenty-two thirtieths of a month. So 22/30 x 360/12 equals a straight £22, with a deduction of £3 6s 8d for National Insurance, leaving £18 13s 4d for my first three weeks’ pay. My first full month’s take-home pay was £26 13s 4d. I didn’t have to pay tax because I only started work in September, but I did after April when I got a £2 per month rise. It doesn’t look any better even when adjusted for inflation – £26 13s 4d in 1968 is the equivalent of around £400 today, less than half the minimum wage for an eighteen year-old.

I never did become a Chartered Accountant. I stuck it for a few years, failed a few exams, and then escaped to university. Would I have fared better in my parochial home town of canners, carriers, barbers, farmers, shippers and shopkeepers? I might have fitted in – like a pile of coke outside the gas works – but maybe not. Thirty years later, one lad from my class at school who did go to work with the local firm ended up as one of the senior partners in charge of the whole outfit. He did make a lot of money.

* Fee paying boarding schools near York.

Old and New Cars

Wondering whether to change my ten year old Golf Estate, I went for a test drive in a fairly new Honda Civic Tourer - the SR version. What a sensation! I could have been in the cockpit of an R.A.F. stealth fighter.

If you have recently driven a new car then you might not be overawed, but I haven’t and I was. There were coloured lights all over the dashboard and more switches than I could imagine what they were for. The digital speedometer rolled up and down, a glowing blue bar grew and shrank with the engine speed and a bright satnav map pinpointed the current location. A camera recognised speed limit signs and displayed a corresponding symbol, and another camera showed what was behind when the car was in reverse. Illuminated gauges indicated fuel and temperature levels and lights flashed in the exterior mirrors to warn of vehicles in the blind spots. The engine cut out to save fuel in stationary traffic and started again as soon as you pressed the clutch. I didn’t get round to asking about the cruise control, heated seats and entertainment system, and that’s not even the half of it. The technology was incredible. I don’t know if you could talk to the car, or whether it answered back, but it would not have surprised me if you could and it did.

1960s Mini dashboard and instrument cluster

What a difference from the first three cars I had, all Minis – a car and two vans. They had a speedometer, a fuel gauge and a few warning lights, and that was it – oh yes, and an ashtray. The steering wheel would not have looked out of place on a tractor and the gear lever stuck out of the floor like something in a railway signal box. They had sliding windows fastened by a thief-friendly catch, and the doors opened by means of a dangly pull-cord. In the vans the battery was under the driver’s seat and you fired up the engine by pulling out the choke and pressing a huge button on the floor. Primitive but functional.

The first, a ten-year old dark blue Austin Mini Van with a white roof, cost me £50 in 1971. I bought it from a lad called John Leason who lived off Holderness Road in Hull. I saw his ad in the Hull Daily Mail, a friend took me to look, I paid by cheque and drove it home – no doubt untaxed and uninsured.

John Leason must have been punching his fist in the air like he’d won the football pools. As I braked at the end of the street, the driver’s door burst open and I had to be quick to reach out and catch it. I had to hold it all the way home. It was by no means the only thing wrong. It rattled like a rusty moped, smoked like a dirty dredger and smelt like a Swinefleet dung heap. A local mechanic took it off my hands a few weeks later, rebuilt the engine and used it as a run-around for the next two years.

My 1966 Morris Mini-Minor (also see blog banner)

Then I had a six-year old Morris Mini-Minor, a blue one, funded by concerned parents. It would have been fine except for the hydrolastic suspension – a system in which the front and back wheels are connected by pressurised pipes. They must have leaked because they needed to be re-pressurised every nine months or so to stop the tyres scraping against the wheel arches. I stuck it out for a couple of years until I could afford to swap it for a three-year old Mini Van.

My 1972 Mini Van

It was the love of my life. BMC flame red. I blazed up and down the M62 and flashed around Leeds burning up other drivers and flickering round buses stranded in the snow. It was an eight-seater – one passenger in the front and three along each side in the back (no seat belt requirements in those days). I put down a carpet and lined the roof and sides with matt black hardboard. It took me walking in the Peak and Lake Districts, the Pennines and North York Moors, and up to Scotland with a tent and walking boots no end of times. I drove it to university interviews on my way to becoming a mature student and it saw me through three years in Hull.

Camping at Glen Brittle, Isle of Skye, Easter 1976.
The meagre Mini dashboard is visible beyond all the clutter.

Would I want one now? You bet! You can get beautifully reconditioned nineteen-seventies Mini Vans for seven or eight thousand pounds (and renovation projects for a fraction of that). But it would need to be garaged out of the weather and I would want to pay someone to maintain it and keep the rust in check. It would be just an expensive toy: costly and non-functional. A lot of fun though.

The Honda Civic seems a nice idea too but one wonders whether all the technology is just something waiting to go wrong. It’s fine in a newish car but you know what software is like – would it still work after ten years? One hears of issues such as losing all the radio settings when put into reverse, which can be expensive to diagnose and fix. And if the car tells you the speed limit all the time, then would you stop bothering to look for the road signs, like losing all sense of geography and direction when you blindly follow the satnav. Most new cars now have electronic handbrakes and hill-hold assistance. Does that mean you forget how to do hill starts? I like to do these things for myself. The Honda felt a bit detached from the world, like managing ice cream in a darkened cinema, glancing occasionally at the screen.

So I’ll probably keep the Golf Estate for a while. Its M.O.T. test is due but I’m confident it will pass. There is a lot of life left in a low-mileage ten year old car these days – certainly not the case in the nineteen-seventies, and perhaps not in the twenty-twenties. 

Review - Chris Bonington: Ascent

Chris Bonington
Ascent: a life spent climbing on the edge (3*)

You could say Chris Bonington was one of my influences. I spent too many nineteen-seventies lunchtimes in Leeds Compton Road Library lost in the heights of I Chose to Climb and The Next Horizon, a tranquil refuge from accountancy. I acted them out on walks in Derbyshire, Scotland, the Yorkshire Pennines, the North York Moors, Iceland, Norway, France and Switzerland, an undue comparison, but I longed to be like him: all that climbing and writing. I bought a minivan, grew a beard, scrambled up mountains and tried to write things.

Ascent is Chris Bonington’s definitive autobiography. Much of the content is covered in his earlier books, but, gosh, what a story! As the cover blurb says, it reads like the pages of an epic saga.

The trouble is, to the non-specialist, one mountaineering expedition sounds much the same as another, even down to the extent of the senseless deaths: John Harlin on the Eiger, Ian Clough on Annapurna, Mick Burke on Everest, Dougal Haston skiing in the Alps, Nick Estcourt on K2, Pete Boardman and Joe Tasker on Everest. Their bodies often remained where they died. Bonington describes encountering Hannelore Schmatz on Everest in 1985, “sitting upright in the snow, sun-bleached hair blowing in the wind, teeth bared in a rictus grin,” where she had died of exhaustion descending from the summit in 1979. A sane person could only conclude that trailblazing mountaineering is an idiotic venture.

Bonington writes in a matter of fact way. His narrative and descriptions are vivid enough, but you would be hard pressed to find a simile or metaphor anywhere in the book. It is autobiography not memoir, an accurate account of places, people and events rather than an impression or reaction to them. He comes across as self-centred. The first person “I” must appear at least 6 times on every page (as on this one!), more than twice that on many. Yet he does not dwell on things. He is like a climbing machine with little time for imagination or self-reflection, even when writing about personal loss. At the end of the day, anyone who manages to climb the Old Man of Hoy at eighty remains an inspiration, but I’m glad I’m not like him at all. 



Key to star ratings: 5*** wonderful and hope to read again, 5* wonderful, 4* enjoyed it a lot and would recommend, 3* enjoyable/interesting, 2* didn't enjoy, 1* gave up.

Back In Time For Tea

Our Messy Kitchen, 1974

The BBC Back In Time series is having another outing, this time as Back In Time For Tea – that’s tea in the sense of evening meal from the days of breakfast, dinner and tea. If your evening meal was called dinner and your mid-day meal was lunch, you were either posh or a Southerner. The new series does take place in working class Bradford after all.

Episode 3, set in the nineteen-sixties, saw the Ellis children having to get their own tea: Fray Bentos Steak and Kidney Pie, Angel Delight and Mr. Kipling fruit cake.

Oh yes, steak and kidney pie in a tin! I remember it well! It’s what we ate in the shared house. Those steak and kidney pies were delicious – succulent pieces of steak and kidney in juicy gravy. The pudding version was good too with suet instead of puff pastry. You can still get them, although internet commentators tend to imply they might not be as good as they once were. Is anything?

For the first time, the arrival of ready meals in the late nineteen-sixties made it possible for single lads living in flats, bed-sits and house shares to eat well without the needless mental and physical exertion of planning, shopping and cooking. Deciphering a recipe, patronising butchers and grocers, and assembling a steak and kidney pie from scratch would have been well beyond the ingenuity of spoiled brats brought up by their mothers to expect everything done for them, but wielding a tin opener and turning on an oven was just about within their capabilities. This was especially true of the five social misfits, connected through schools and workplaces, who in 1970 moved into a strange back-to-front house off Monk Bridge Road, with its rear to the road and front to a narrow path beside Meanwood Beck.

My previous year in Leeds had been spent in Monday-to-Thursday lodgings where meals were provided. It was good home-cooking to keep hunger at bay but the snooty husband of the elderly couple I lodged with charged in guineas rather than pounds: five guineas a week, that’s five pounds five shillings, £5.25 in new money, equivalent to around £75 now in terms of price inflation, and £150 in terms of earnings inflation. Perhaps that sounds reasonable compared with housing costs today, but it was nearly all I earned as a trainee accountant. My contribution to the shared house rent was less than half as much.

At first we ate together, taking turns to serve unimaginatively greasy concoctions of sausage or fried eggs, with chips and baked beans. One lad’s weekly pièce de résistance was spaghetti Bolognese with so much liquid it would slop over the edge of your plate when anyone knocked the table – “as if we haven’t enough on our plates already,” someone said. The local fish and chip shop was a regular beneficiary of our largesse too.

But convenience foods were just beginning to appear and our diet quickly changed. Why go to all that inconvenience of peeling, boiling and mashing potatoes when you could get Cadbury’s Smash? It wasn’t too bad if you put plenty of butter in. Instant mashed potato with a Fray Bentos pie and a tin of peas or carrots really filled you up. Finish with strawberry or banana Angel Delight (a powder mixed with milk to make an instant mousse-like desert) and it was heaven. You were living like a king.

Probably butterscotch Angel Delight: I preferred banana or strawberry

Individuals came and went and the sharing arrangement moved to a new address off Brudenell Road in the Hyde Park area. Mostly, we now ate individually at different times. I still had an unhealthy reliance on the “Up-Steps Fish Shop”, but as there were as yet no Chinese or Indian takeaways, pizza or kebab shops nearby, fish and chips was the only bought in meal. For other days, Vesta dehydrated packet meals were now available: food for bachelors from Batchelors.

“Come on a Vesta Package Tour” read the advert, to India for beef curry (“not too hot”), Italy for beef risotto (“the real taste of the Continent”) or China for chow mein with crispy noodles (“You like, yes?” – would they dare say that now, or wish you “bon appétit” with the chicken supreme from France, or claim that the Spanish paella had “a touch of Olé”).

The noodles looked like translucent strips of plastic until tipped into hot oil upon which, spitting and sizzling, they crisped up like expanding polystyrene into gnarled and crunchy yellow whorls. Except that there always seemed to be one or two that didn’t work, and stayed hard and sticky enough to pull your fillings out. The curry looked like a packet of something you might collect from a crematorium until you added boiling water and it reconstituted itself into peculiarly light and watery chunks that were supposed to be beef. The risotto seemed best, especially when you fried the rice in butter (with extra Uncle Ben’s rice to bulk it up) and then added the meat and vegetable powder with a bottle of Newcastle Brown instead of water. The only time I’d had rice at home was as rice pudding, and other than spaghetti, it was my first experience of exotic food. It was mouthwatering if you overlooked all the monosodium glutamate, although you usually had to fire up the toaster before bed time, even when you had eaten a ‘serves two’ sized packet.

I never prepared anything from scratch. Vegetables, spaghetti hoops, even potatoes, came out of tins. Frozen foods such as fish fingers, beef burgers or the delicious boil-in-the-bag cod in butter sauce were all bought on the day as we had no fridge. Everything was heated by hob, grill or oven, as microwaves would not be common for another decade. I bought a ‘cooking for one’ cookbook which made out that everything was so simple, no one need end up dipping grilled fish fingers into a jar of tartar sauce, which was the only recipe I took from the book, although they were better with piccalilli. And much to the bewilderment of my family, I retain a weakness for tinned oranges with Carnation evaporated milk.

Nearly all of these convenience foods remain available, but as a vegetarian convert I wouldn’t eat them now. However, we did try banana Angel Delight with our tea the other night. Surprisingly, it was just as good as I remember.

Inclusion of the clips from the BBC Back In Time For Tea programme and the Alamy Vesta image are believed to be fair use. The stills are clipped from single frames and linked to the programme web site. The Alamy image is linked to its source. The Vesta image is also available at The Advertising Archives.

See also:

  Strange Brew (Back In Time For The Weekend 3)

Andy Burnham, Chris Grayling and the Goole to Leeds Train

Trains in Yorkshire are little better than they were in the 1970s, whereas in the South East ...

I’m with Andy Burnham. In a recent letter to Chris Grayling, the Transport Secretary, Andy Burnham, the elected Mayor of Manchester, complained that the North of England has put up with second-class transport for far too long. Within the space of just a few days, Grayling has downgraded promised rail improvements for the North while overseeing contracts for the ridiculously expensive HS2 line to Birmingham and backing the £30 billion London Crossrail 2 project. Is there any wonder Burnham is angry?

Just compare this screechy Northern Rail Pacer with a high speed Southeastern Javelin

We have just got back from a few days in Kent. If your recent rail experience is mainly of Yorkshire, or even the routes down to London, you would be amazed at what they have in Kent. We were. There, 140 mph high speed Javelins leave London St. Pancras along the HS1 Channel Tunnel route, then branch off to follow various circular paths back to St. Pancras by Faversham, Ramsgate, Canterbury and Dover. They don’t go quite so fast along the North Kent coast, but they still crack on at quite a pace. It is not as if there are big distances between stations either. From Gravesend to Ramsgate there are fifteen stops, some as little as three minutes apart.

We have nothing like it in the North. Our local line still uses screechy four-wheeled nineteen-eighties Pacer trains. Even on faster lines such as the Transpennine route, the Class 185 Desiro units have barely two thirds the speed and acceleration of Southeastern Javelins. It is not as if our services are unused. They are busy throughout the day and peak-time overcrowding is unpleasant and noxious. It truly does feel like a second-class service.

Nineteen-sixties DMU at Goole (click for video)

It is like re-living the nineteen-seventies Goole to Leeds line. I’ll never forget the stations: Rawcliffe, Snaith, Hensall, Whitley Bridge, Knottingley, Pontefract Monkhill, Castleford Cutsyke, Woodlesford, Leeds. I used it regularly on Monday mornings after leaving home for four-night-a-week lodgings in Leeds. The train used to leave Goole at 07.20 to arrive in Leeds around 08.35. It was a bucolic start to the week. Startled rabbits dashed across the fields for cover as the morning mist lifted in the early light. If you sat right at the front you could see along the track ahead, and, oh what dreams, pretend you were the driver. I wished it could go on forever, until the train filled up with people smelling of fried bacon, stale cigarettes, fetid flannels and musty wardrobes, and then it could not end soon enough.

At first the train used to branch from the Doncaster line just outside Goole station (you can see the junction in the above video at 0.44), but this short length of track (which once served the Goole to Selby line) was pulled up and the train re-routed past the engine sheds. There were other creeping changes too. When Castleford Cutsyke was closed, trains had to go via Castleford Central where they reversed.

At least the line was still dual track. There were six trains per day in each direction, and they could pass anywhere between Knottingley and Goole. Now, this part of the line is single track. The once great Lancashire and Yorkshire Railway that carried long chains of coal wagons from the Yorkshire coalfields to the docks at Goole, and thousands of European emigrants from Hull to the transatlantic liners at Liverpool, is but a thin and spectral palimpsest of its former self.

Indeed, the only remaining train per day from Leeds to Goole, the 17.16, is often referred to as one of Britain’s “ghost trains”. They “wend their eerie way around the rail network almost entirely unknown to the travelling public,” running mostly empty at deliberately inconvenient times. They maintain the fiction that the line is still open for business, allowing train operators to avoid the long and costly public consultation required for complete closure.

Currently, you could just about manage a daily commute from Goole to Leeds over this route, catching the 07.04 from Goole and the aforementioned 17.16 back. The only other train is the returning 17.16 which departs Goole at 18.49. Otherwise you have to go to Doncaster and change, which usually takes longer, or via Brough, which costs more. Or you could drive the few miles to Howden for a Transpennine express, which can take as little as 30 minutes to Leeds, but that is something of a cop out. The alternatives are no substitute for the convenience of a direct local train from, say, the lovely villages of Rawcliffe or Snaith.

And what about all the other lost routes of Yorkshire? What would the Hornsea and Withernsea branches do for Hull if they were still open, or the line through Market Weighton into York, or the Woodhead line from Sheffield to Manchester? You can find example after example. How much would they benefit the local and regional economies?

Let’s face it, if this were Kent, ALL these routes, including the Goole to Leeds line, would still be fully open, running regular all-day timetables, served by fast modern electric trains with ample comfortable accommodation. They would be well-used.

Further videos: 
driver’s cab view from the Leeds to Goole train in the late 1980s;  
the same train changing tracks at Goole station
 

The Old House

There was something of the Miss Havisham about the place. Once it had been the fine eighteenth century home of a wealthy livestock auctioneer in the countryside between Leeds and York, with a grand oak staircase, roomy rooms and extensive kitchens. But after two centuries it had fallen into dark, brooding shabbiness. Crumbling mortar had left gaps between the blackened bricks. The once abundant gardens were covered in weeds. Earthy molehills dotted the tennis courts. The tangled vine stems hung dead and leafless. Yet I was sure it would be an inspiring place to work. It seemed my luck had changed. 

Perhaps it matched my mood. It had not been easy to find a job. I had met only doubt and distrust. It was justified to be honest. To be seeking work as an accountant just months after deciding that accountancy was not the life for me, and going off to teacher training college only to decide I didn’t want to be a teacher either, was not exactly impressive. Having chucked it in once, what were the chances I would do it again? It was hard to sound sincere, probably because I wasn’t.

Let’s call the firm Huntley and Palmer, Chartered Accountants. Miss Huntley had moved the practice out of central Leeds some years before, along with a few staff and one other partner. They offered me the post of audit clerk on a salary of £1,750 p.a. (about £17,000 today adjusted for price inflation).

I suspect they were desperate too. My interview must have been on one of the rare days the wind was blowing the other way. Most of the time a sickly sweet smell wafted up the stairs from the pig farm next door, pervading the communal office at the end of the building where we worked. It would have put most people off. It would have put me off too if I had other offers. You can also gain enthusiasm for the most illogical reasons. The receptionist’s soft green-blue top, tousled hair and retroussé nose was a carbon copy of Carly Simon on the cover of the ‘No Secrets’ LP.

But there was no Carly Simon smile. She moaned constantly about the pig smell. She was seeing out the next few months until her wedding later in the year. The other staff were strange too. One, a glamorous middle aged woman, went on incessantly about her dogs’ accomplishments in shows and competitions and her husband’s heart condition. Another, a semi-retired sixty-something, was always talking about his previous job in the Inland Revenue. You might have thought they were having a conversation, but neither listened to the other much at all. It was bearable only because they were part-time, and the afternoons were quieter. Then I was often alone in the office, dreamily gazing out of the window at the swirling wind-patterns in the corn field across the valley.

Mr. Palmer, the other partner, was another oddity. He went off each lunchtime supposedly to meet clients in the nearby pub, returning to spend the afternoons in a daze. Once or twice he had been found flat out asleep on the floor of his office. On a couple of occasions he called me in to complain angrily that he could not understand some of the work I had done for him. Patient explanation only assuaged him so far.

There was also an articled clerk. I cannot imagine how he managed to qualify as a Chartered Accountant in such an environment, but eventually he did. He must have had the sticking power of a mucilage bulldog.

Miss Huntley was easier to work with. She lived in the house with her Airedale dogs, and was a prominent Soroptimist (a womens’ voluntary organisation similar to the freemasons). She was always happy with my work. She once sent me out for a couple of weeks to audit an unusual business that supplied fish and chip shops throughout the north of England. It was a relief to be working again in central Leeds where there were things to do at lunchtime.

Perhaps when she first moved the practice out of town Miss Huntley imagined a happy band of staff enjoying a beautiful rural setting, but the reality was otherwise. I don’t think any of us liked it there. We were stuck up the back stairs out of the way in the servants’ quarters. I endured it for seven months, none too soon escaping back to Leeds to a post with a large clothing manufacturer. Huntley and Palmer lasted around six more years. The old house is still there, modernised and renovated, converted into serviced office space for a variety of businesses.

The Play That Goes Wrong

A visit to Leeds Grand Theatre revives memories of near disaster with sound effects fifty years ago.

Last week I was at Leeds Grand Theatre & Opera House for the first time in forty-four years. It was an evocative return. We sat in the same area of the upper balcony and saw almost the same kind of show. In 1973 it was Monty Python on Tour (remembered here). This time it was The Play That Goes Wrong.

The setting is an amateur production of a nineteen-twenties murder mystery, during which just about everything that can go wrong does go wrong. Ornaments and pictures fall off the wall; a door won’t stay shut except when needed open; a platform collapses with actors on it; members of the cast are knocked senseless and have to be replaced by stage hands reading from the script, which of course gets dropped on the floor and scrambled; a corpse has to crawl off stage unnoticed after a stretcher rips apart. The production is brilliant. It had us all giggling hysterically.

At one point the characters on stage all stop and stare towards the sound technician on the balcony who is obliviously reading a book, unaware the play has reached the point where he needs to produce twelve clock chimes. The wait is interminable. And not to disappoint, when he does become aware of the cue, he fails to count the chimes correctly.

That could have been me fifty years ago. A few friends at the youth club we went to had joined a drama group and were rehearsing George Bernard Shaw’s Pygmalion. It would have been good to have had a part, but having missed out by getting involved too late, I attached myself to the support team.

There is a moment, early in Act I, when Professor Henry Higgins calls Eliza Doolittle a liar for claiming not to have enough money for her lodgings. “You said you could change half-a-crown” he reminded her. “You ought to be stuffed with nails, you ought,” Eliza replies as she flings her flower basket at his feet. “Take the whole blooming basket for sixpence.”

Just then, a church clock strikes the second quarter, and Higgins, hearing in it the voice of God rebuking him for his lack of charity, utters the words “a reminder”, throws a handful of cash into the basket, and leaves.

I don’t know why we didn’t just clang a length of pipe for the clock sound effect. I think we took the instruction “strikes the second quarter” too literally. I offered to tape-record my dad’s heirloom grandfather clock which did the full Big Ben chimes. Later we decided that “bing-bong-bing-bong, bing-bong-bing-bong” took too long, and that we would have just a single chime. But unthinkingly, the tape-recorder mindset remained.

I sat backstage at Snaith Secondary School, tape-recorder on pause, awaiting the cue. We were presenting Act I of Pygmalion in some kind of drama competition. The cue came.

“Take the whole blooming basket for sixpence,” said Eliza.

I set the tape going.

Now I truly wish I could tell you I had put the wrong tape in the machine and that Manfred Mann’s Five-Four-Three-Two-One blared out of the sound system, exactly as happens with Duran Duran in The Play That Goes Wrong. The truth is more ordinary. I had wound the tape back a little too far, so instead of producing an immediate clock chime, I watched the reels silently turning for what seemed like an eternity, while the actors on stage paused not knowing quite what to do. It might only have been two or three seconds, but it was far too long. A scared rigid Henry Higgins must have heard far more than the voice of God during the hiatus. When the bong finally came, he hurriedly squeaked “a reminder” and seemed rather too eager to get off the stage. 

It makes you appreciate just how slick the effects in The Play That Goes Wrong actually are.


The artwork for the 2017 UK tour of The Play That Goes Wrong is owned by the Mischief Theatre Company and its reproduction here is believed to be fair use, serving as a means of visual identification within this posting.