The Horse Race Game

We had a Blue Peter afternoon. 

For those not from the U.K., Blue Peter is a BBC Television children’s magazine programme that has been running at least once a week since the nineteen-fifties. Amongst a wide variety of content, it is known for encouraging children to make things out of cardboard, pipe cleaners, household waste items, and “sticky-backed plastic”. One of its best-remembered creations was a version of the Thunderbirds Tracy Island in the nineteen-nineties. 

That was amusing in itself. Television re-runs of Thunderbirds generated a stream of toys and merchandise, and Matchbox Toys brought out a Tracy Island play set just before Christmas. It sold out within days. Blue Peter responded with a home-made version made from paper mache. Thunderbird 1 was launched from a Yoghurt pot, the hangar for Thunderbird 2 was a tissue box, and Thunderbird 3 launched out of a toilet roll. The BBC was inundated with so many requests for the free instructions, they had to stop sending them out, and instead released a VHS video of presenter Anthea Turner making it (see the BBC archive). 

Our Blue Peter afternoon was spent making a horse racing game for the memory group Mrs. D. runs. The theme that week was Royal Ascot. 

We came up with a track made from long pieces of card marked with lines, with cardboard fences. For the horses, I printed out two-sided chess knights in different colours. They were stapled around movable cardboard stands.  

The rules were kept simple. Each player has a horse to move according to the throw of a dice (I can hear my maths teacher telling me if there is only one it is a die). If you land on a space before a fence, that counts as a refusal and you have to move back three spaces. The first to the finish line is the winner. With around ten participants taking turns, the game lasts more than half an hour.

Horses are go. F.A.B. Anything can happen in the next half hour. 

It was fantastic fun, with laughter and excitement. One lady must have had a “donkey”, because it kept refusing the first fence when most of the others had nearly finished. Some wanted to bet on the outcome, but that was not allowed, although they could try to predict the winner. One could not remember which was her horse, and one kept taking the die out of the cup and turning it in his hand, not knowing what to do. They laugh at each other because they think that they are the only one that is with it, and that all the others (including the volunteers) are completely gaga. 

“Parka”
“Yuss Billaidi”
“Put down one hundred pounds each way on the green-yellow one, at 7:2”
“They won’t allow it, Billaidi” 
“Oh! And Ascot used to be such fun” 
“Yuss Billaidi”

Of course, I wanted to strive for perfection by colouring the track green and drawing white railings along the sides, having water jump, colouring the horses in jockey colours, and making one a zebra, but Mrs. D. said we had spent long enough. Perhaps we should send off for our Blue Peter badges anyway. 

We spent days making things like this as children. One of the best Christmas or Birthday presents you could get was a roll of Sellotape, a bottle of glue, a ball of string, and a few cardboard boxes. My brother made himself an aeronaut’s flying suit out of cardboard, complete with streamlined leggings, gauntlets, helmet and wings. He bounded around the house in it, jumping on and off the furniture making flying noises. 

Would many of today’s youngsters, who seem to spend most of their time playing games and messaging each other on their phones, have the interest, persistence, or even the practical ability to make such things?

Credits: The voices of Lady Penelope and P. were provided by JayCee and Parker, with American and Australian versions by Steve Reed and Andrew High Riser, and German sub-titles by Meike Riley. The horses were fed on silage grown by Dave Northsider, their stables built by Debby Hornburg, and the zebra ridden side saddle by Debra who seeks. The horses are writing a guest post for Tigger’s Mum. Tracy Island and the race game were made by Mrs. D. who let Tasker think he was helping. Thelma played Anthea Turner, and Yorkshire Pudding was Brains. 

Great-Grandma: Another Painter

In writing recently about my wife’s eccentric great-aunt, who spent her life painting, I might have mentioned that her mother, my wife’s great-grandma, was also no mean artist. She travelled with her second husband to European “Grand Tour” locations in the twenties and thirties, which inspired several paintings. This Venetian scene hangs on the wall above my desk. It is difficult to photograph behind glass.  

I wondered whether I could identify the location. The street name on the wall to the right is “Calle Di Mezzo” but the name on the street ahead is indistinct. After some time on Google Maps and Street View fruitlessly clicking up and down the Calle De Mezzo (with an E), which is different, I found this building at the junction of the Calle Di Mezzo (with an I) and Piscina Sant’Agnese. I think this is the place, although she seems to have altered the layout of the streets and buildings. It was probably painted back home in England from a sketch made at the scene. Presumably, a market stall once stood in the corner at the side of the building, or did she invent that too?    

The painting could date from a trip to Venice in 1929. To state the obvious, it was not usual to be able to travel around Europe and Egypt at that time. This was the English wealthy classes on holiday. My own ancestors were then at sea, on canal boats, or labouring in paper and sugar mills. We could not travel abroad until decades later. My wife’s great-grandma was able to do so because of her second marriage. 

Her life was twice touched by tragedy and good fortune. Born in the early 1860s, her father died when she was three months old. Her mother remarried a high official and relative by marriage of the Anglo-Irish aristocracy, who was forty years her senior. Great-Grandma therefore grew up in Ireland, comfortable, educated, and well-connected. 

At the age of eighteen, she too married a much older man, a divorced London solicitor twenty-four years her senior, who ruthlessly packed the children of his first marriage off to Canada. There were three further children at wide intervals over the next twenty years, but the marriage does not seem to have been close. It ended when she was widowed in her mid-fifties, receiving just a small income from an insurance policy. The Will contained the following diatribe against her: 

I exclude my wife ... the implied obligation on her part that she would be a true and faithful wife during our married life and would love honour and obey me which she observed for some two years only after which she persistently disobeyed my proper and reasonable requests neglected her home and children and was frequently guilty of shameful conduct with divers men making my life miserable and my home unbearable 

Within less than a year she was remarried to a wealthy bachelor of her own age. This was the source of her new good fortune. I suspect they had known each other a long time, possibly from her days in Ireland. She still had a fifteen-year-old daughter at home, who her new husband brought up as his own. The rest of their lives were spent in enviable privilege, painting, writing, and travelling. 

Our family histories contain some fascinating stories that would once have been well-known, but are barely remembered now, if at all. I have been researching my own and my wife’s families for over thirty years, from the days when it was a painstaking process, when you had to visit archives, search through microfiche, and send away for documents. I helped transcribe parts of FreeBMD, my own contribution to making things as easy as they are now. I have many more stories where this one came from.