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Monday 1 November 2021

The Day We Saw The Queen Mary Sail

and C. P. Snow’s surprising digital footprint

(first posted 11th November, 2017) 

R.M.S. Queen Mary

My dad was captivated by ships from childhood, when ocean-going liners were the most exhilarating machines ever built. He knew the names and colours of the British shipping lines and some of the foreign ones too: Cunard: red and black funnel, yellow lion on a red flag; Union Castle: also red and black funnel, red cross on a white and blue flag; Peninsula and Oriental: buff yellow funnel, blue, white, red and yellow flag. It was partly why we found ourselves on holiday near Southampton, the first time we had ever been so far from Yorkshire. Once there, it was inevitable we would visit the docks.

As we approached Ocean Terminal, three towering Cunard funnels told us the Queen Mary was in port. Small boat owners vied for passengers to take to see her sail: an opportunity not to be missed.

Video - RMS Queen Mary arriving at Southampton 1967 Video - RMS Queen Mary departing Southampton 1967
RMS Queen Mary arriving at and departing from Southampton for the last time in 1967
(two videos, approximately two minutes each - click to play)

We boarded a launch and sped off down Southampton Water leaving the Queen Mary at the quayside. Any doubts as to why we had sailed so far ahead were soon answered. “The Mary’s moving,” our own captain announced, and within a short time she had overtaken us as smoothly and effortlessly as a huge white cloud in a strong breeze, a vast floating palace towering above. Her powerful engines were easily capable of 28 knots (about 30 miles or 50 kilometres per hour) compared to our 6 or 7. We were left bobbing like corks in her wake as she turned into the Solent. Dad remembered the day for the rest of his life.

Southampton pleasure boat

From photographs and postcards I can work out it was towards the end of August, 1960, during the last dying years of the transatlantic passenger trade. From genealogical web sites, I can pinpoint the precise date as Thursday 25th. The Queen Mary called briefly at Cherbourg before crossing the Atlantic to arrive in New York on Tuesday 30th, a five-day voyage. Not only that, but, incredibly, you can see the ship’s manifest listing the individual names and details of every one of the 1,024 passengers and 1,203 crew under the command of Commodore John W. Caunce. It is an incredible digital footprint.

Ships manifest: RMS Queen Mary, 25th August 1960

Many of the first class passengers are googleable, among them two writers, Charles and Pamela Snow. They were the distinguished novelist and scientist C. P. Snow and his equally-accomplished wife, the novelist and playwright Pamela Hansford Johnson, travelling with their son Philip and her teenage daughter Lindsay Stewart. Philip was just one of eighty children on board. Some of them stood on deck and followed that incomprehensible human instinct to wave to strangers in the accompanying flotilla of pleasure boats. I wonder if any of them noticed a ten-year old boy waving back.

At the time, C. P. Snow was enjoying the controversy caused by his Two Cultures lecture the previous year, in which he had lamented the gulf between science and the Arts which he, justifiably, believed he bridged. He had implied that many scientists would struggle to read a classic novel, and that many humanities professors would be unable to explain simple scientific concepts such as mass and acceleration, making them the scientific equivalent of illiterate. Most resented the insinuation that a poor knowledge of science rendered them uneducated and ignorant, including the acclaimed literary critic F. R. Leavis who let loose an astonishingly abusive and vitriolic response. Part of it went:
Snow is, of course, a – no, I can't say that; he isn't. Snow thinks of himself as a novelist [but] his incapacity as a novelist is … total: ... as a novelist he doesn't exist; he doesn't begin to exist. He can't be said to know what a novel is. The nonentity is apparent on every page of his fictions … Snow is utterly without a glimmer of what creative literature is … he is intellectually as undistinguished as it is possible to be.
Leavis continued the attack at length, giving examples of what he said was Snow’s characterless, unspeakable dialogue, his limited imaginative range, and his tendency to tell rather than show. Others jumped to Snow’s defence, suggesting it was in fact Leavis who could not write. It was brilliant, sensational stuff, still talked about decades later. Both academia and the general public, including my dad, soaked up the spectacle in pitiless delight, entertained by intellectual heavyweights slugging it out with metaphorical bare knuckles.

None of this meant anything to me at the time, of course. It would be another twenty years before I discovered and found it greatly entertaining, but my dad would have been fascinated to learn that Snow and his wife were on board. A little more googling reveals they were on their way to spend the autumn at the University of California at Berkeley. Before their return, both, along with the prominent English writer Aldous Huxley and the American Nobel chemist Harold C. Urey, took part in seminars on Human Values and the Scientific Revolution at the University of California Los Angeles on the 18th and 19th of December. The Staff Bulletin described it as “one of the most distinguished intellectual occasions in the history of the University of California”.

If it is possible discover this much about the activities of (albeit well-known) individuals in 1960, one fears to imagine what digital footprints we might leave behind ourselves. Much of what we buy, our social interactions, our medical and educational records, our motoring activities, and so much more, are now all stored on a computer somewhere, possibly in perpetuity. I wonder who is going to be looking at mine in sixty years time.

Wednesday 27 October 2021

Tuning Gadget

This is my old guitar tuner from the nineteen-seventies. It works by resonance: when an in-tune guitar string is played, the matching part of the tuner will vibrate in sympathy. In the photograph the E indicator on the left is vibrating, showing that the lower E-string is tuned to the correct pitch.

I never used it much. I usually found it easier to tune by ear, by tuning one string against a piano or tuning fork and then resonating the other strings against each other at the fifth fret, or by oscillating the harmonics at the fifth and seventh frets (either you’ll know what I’m talking about or you won’t).  

However, I do now use an electronic tuner which works in much the same way as the older one, by sensing the frequency of vibrations in the wood of the guitar, working out what note it makes and displaying it digitally. Here it shows the lower E-string is slightly sharp, vibrating a little more rapidly than it should. The string needs to be slightly less tight. 

The electronic tuner is better in noisy concert settings when everyone else is trying to tune their instruments at the same time and you can’t hear your own. It is more accurate: with the old tuner you had to judge the indicators by eye. It is also chromatic: it detects and indicates any note in the 12-note chromatic scale (including semitones) whereas the old tuner only picks up the six notes of standard guitar tuning. So you can use it to tune a ukulele which has a C-string, or change your guitar to DADGAD tuning. 

It will measure the pitch of almost anything. Our central heater boiler is an A-sharp. My electronically adjustable standing desk motor is between an E and an F. My beard trimmer seems to be a two-note mixture of C and G. And my nose and ear hair trimmer (ugh!) starts off at E and rises to G-sharp as it picks up speed. I haven’t yet measured Phoebe’s purr, though.

You can even measure your own voice. When you sing or speak it causes your whole skull to resonate, so by clipping the tuner to the end of a ruler held at the other end in your teeth, you can see the frequency. For example, you can test how accurately you can sing a musical scale or arpeggio, such as the C-E-G-C of a C-major chord: 

Not very in my case. Sorry about the horrible noise. Well, you try singing with a ruler clamped between your teeth. That’s my excuse, anyway.