Peyton Place and Top Deck Shandy

(First posted 7th April, 2015)

Indian summer is like a woman. Ripe, hotly passionate, but fickle, she comes and goes as she pleases so that one is never sure whether she will come at all, nor for how long she will stay.

“What rubbish?” was my fifteen year-old self’s first thought, but something in that luxuriant opening sentence and the sensuous description of New England’s “lovely womanly Indian summer” enticed me to read just a little further. By the end of the first few pages, with their sprinkling of references to whores, peckers and venereal disease, I decided it might be prudent to study it more discreetly. I looked up the meaning of Indian summer and read on by torchlight under the bedclothes.

In those days, a child reading ‘Peyton Place’, even a fifteen year-old, would have been as shocking as the furore that followed its publication in 1956. The book was banned in Canada until 1958, and even later for the more delicate Australians.

It is tame stuff compared to what children are exposed to now, but, unlike today, our innocence was well-protected. In contrast, our physical safety received little thought. We could wander wild for hours near roads, rivers and railway lines, and climb trees and light fires. Nowadays, things are the other way round. While depravity and consumerism roam free, health and safety are controlled to the point of paranoia. Carefree freedom ran off with childhood innocence.

One affair that illustrates these changes for me is the Top Deck Shandy Pan Books promotion of the 1960s.

It was when I had my first party. Hugo, my foreign-language exchange partner from Belgium, was with us, and around fifty other Belgians and Germans were staying nearby. The party was subject to three parental conditions: (i) numbers were limited and by invitation only; (ii) the bedrooms were out of bounds, enforced by my mother’s washing line wound tightly round the door knobs; and (iii) there would be no alcohol. We were, however, allowed Top Deck Shandy, so we bought in several dozen cans.

What is incredible about Top Deck Shandy is that despite being supposedly a low-alcohol drink marketed to children, it then had an alcohol content of 2% proof (about 1% by volume), equivalent to almost one quarter the strength of beer. Nowadays, it would be illegal to sell it to anyone under the age of eighteen, yet, in the 1960s and 1970s, it could be seen on school trips without any concerns raised by teachers. Things are now so different that children have been excluded from school for innocently taking in cans of perfectly-legal ‘Ben Shaw’s Bitter Shandy’ (0.5%) and shops have refused to sell zero-alcohol wines to pensioners unable to provide proof of age. No one is prepared to risk being accused of promoting under-age drinking.

You would have to drink fifteen cans (5 litres) of today’s ‘Ben Shaw’s Bitter Shandy’ to consume an equivalent amount of alcohol to one bottle of beer. You would probably be sick before you got there.

The party with the Belgians and Germans was brilliant. No one turned up uninvited, no one got drunk, and thanks to Hugo’s popularity with the girls, boys were hugely outnumbered. Nothing got out of control, unlike at a couple of other legendary parties around this time. There were just two consequences. One was that my young brother had to take the next morning off school because he was kept awake very late. The other was that I had several dozen Top Deck Shandy labels. At the time, Top Deck Shandy was running a Pan books promotion. For every six labels you sent off, you could select a free paperback book from a list. I had enough labels for nearly all of them.

I know what I got because they were, until not so long ago, in a box in the loft. My first choices were predictable: ‘The Dam Busters’ by Paul Brickhill, ‘Dr. No’ by Ian Fleming, ‘The Saint Goes On’ by Leslie Charteris and ‘The Satan Bug’ by Ian Stuart (a pseudonym of Alistair MacLean), books I would probably have bought or borrowed from the library anyway. Frank Edward’s bestseller ‘Stranger Than Science’ was another memorable selection, a set of supposedly true accounts of strange events beyond scientific explanation. I’m not ashamed to say I devoured it uncritically. Then, beginning to run out of options, I decided that Nevil Shute’s ‘A Town Like Alice’ was likely to be all right because, after all, he had been the chief engineer building the R100 airship at nearby Howden. It turned out to be a soppy romance but enough of an adventure story to be enjoyable. Lastly, with hardly anything left to choose, I sent for ‘Peyton Place’ by Grace Metalious.

Peyton Place sold 60,000 copies in its first ten days. It has been described as a depiction of life in a small New England town, stark and crude in its search for realism. I thought the small New England town in which it was set might be interestingly like the small Yorkshire town where I lived. It wasn’t.

It goes on quite a lot about straining, such as when, observed from a distance by her husband, the unfaithful Ginny Stearns walks off with a stranger, “... her breasts and thighs straining through her dress to rest against the stranger’s side” (page 81). Then on page 108, when the thirteen year old Allison MacKenzie parades in front of a mirror wearing padded foundation garments “... the top of her new dress swelled magnificently, the fabric straining against her rubber breasts...”

The book is obsessed with breasts. One biographer of Grace Metalious suggests that defining women according to their breasts was only to be expected in an age when Marilyn Monroe, Jane Russell and Jayne Mansfield filled the screens, but feminist ideologies escaped me then. I was simply fascinated that Betty Anderson’s nipples were “always rigid and exciting and the full, firm flesh around them always hot and throbbing” (page 203), and I paid careful attention to the dangers explicit in the scene, when Rodney Harrington, driving a speeding car, takes his hand off the wheel to reach for the hard exposed breasts of his female companion and drives straight under a brightly lit trailer truck (page 314).

I know the page numbers because I noted them down faintly, in pencil, just inside the back cover, so I could find them again. I especially liked page 150 when Michael Kyros rips off Constance MacKenzie’s still wet bathing suit and “... she felt the first red gush of shamed pleasure that lifted her, lifted her, lifted her and then dropped her down into unconsciousness.” It produced strange stirrings in the trouser department.

Clive Anderson said that radio is like television but with better pictures. If this, by extension, applies to novels, it was surely true of Peyton Place. I have never seen either the film or television series it spawned, but I cannot image that five hundred episodes of the 1960s soap could sustain the same intensity, despite having Ryan O’Neal, Dorothy Malone and a very young Mia Farrow. On the 14th August, 1965, around a year after the author, Grace Metalious, drank herself to death at the age of thirty-nine, I noted in my diary it was one of the best books I’d ever read.

Today similarly scandalous tales of drunkenness, incest, rape, abortion, illegitimacy, high-school sex and patricide are everywhere, not least on pre-watershed mainstream television drama set in schools. They leave nothing to the imagination and you are in no doubt that these things could easily occur even in small towns in Yorkshire. Still uglier things, obnoxious and amoral, are widespread on the internet. Peyton Place would hardly count as soft porn now.

Am I mistaken in thinking the world a much kinder place, free and innocent, when you could feel grown-up drinking 2% shandy, and reading Peyton Place under the bedclothes was the height of wickedness? 

 

 

Notes

- You can download a PDF, Epub or Mobi (Kindle) copy of Peyton Place (and a large number of other public domain books as mentioned in my preceding post) from https://www.fadedpage.com/showbook.php?pid=20160613. Some of the television programmes are on YouTube. The names of the characters differ slightly in the English, American and television versions.

- Top Deck Shandy may have had paper labels in the 1960s, as opposed to the printed cans of the 1970s pictured.

- This interesting article touches upon how insidiously our health and safety culture and gender stereotyping were already beginning to change by the 1970s. 

- The sale of alcohol in the U.K. is regulated by the 2003 Licensing Act which prohibits the sale of alcoholic drinks stronger than 0.5% by volume to anyone under 18 (see section 191 ‘meaning of alcohol’).  

Faded Page

The following may be of interest (with apologies to those already in the know). 

In putting together the next “New Month Old Post” post for Thursday, I came across a resource called Fadedpage ( https://www.fadedpage.com/ ) which contains a growing number (currently 5659) of free, high-quality, public domain (in Canada) ebooks in PDF, Epub, Mobi (Kindle) and other formats. 

For example (from a fairly random look through), it has Ian Fleming’s James Bond books, novels by C. S. Lewis, Nevil Shute and Evelyn Waugh, Winston Churchill’s Second World War series, books by Albert Camus in French, lots by George Orwell such as Homage to Catalonia and The Road to Wigan Pier, the Biggles stories of W. E. Johns’s and seemingly everything by Enid Blyton (or if you prefer the American equivalent, books from the Stratemeyer series including a couple of Laura Lee Hope’s Bobbsey Twins stories which I enjoyed at Junior School). Too many to mention, really.

Many, of course, are also available from the Kindle store, but often at a cost, and I tend to find that the digitisation of free Kindle books is of variable quality. 

It is fairly straightforward to add books in Mobi format to a Kindle device, but if anyone is unsure I could append a few screen shots showing how to do it.  

 

Now, I wonder how Biggles broke the silence.

Ties Teens and Sells

Emptying the household waste baskets, I interrupted my son’s video call. He continues to work at home most days. He had put on a smart shirt and tie, and was talking to some important-looking blokes in suits. 

“Sorry,” I apologised when I went back later.

“We were in conference with coun-sel,” he explained. That’s how he said it: “coun-sel,” with too much emphasis on the ‘e’ of the second syllable.

He could see I was looking to mock him. “Just emptying the bas-kets,” I was about to say.

“I know it sounds pretentious,” he said. “I thought I would never say it like that, but we have to avoid confusing coun-sel with coun-cil. It wouldn’t do to be asked to phone the council and to phone the counsel instead, not at the rates they charge.”

“It’s like when I started work,” I said, dredging up a memory from the distant past as usual.  

I told him about two people checking over a set of accounts to make sure they had been typed correctly. The one reading out loud from the handwritten draft kept saying things like “thir-tie” and “for-tie” instead of thirty and forty. I thought it sounded silly until it was pointed out that if the typist had typed thirteen in place of thirty, or the other way round, it might be misheard and wrongly passed as correct. Soon, I was pronouncing all my -ties and -teens too. Some you didn’t really need to change, such as twenty because it would never be confused with twelve, but we changed it anyway: “Twen-tie pounds, fif-teen shillings and eleven pence.”

“That would be so easy to carry through into everyday life,” he said. “You don’t usually talk about barristers outside work, but we’re always talking numbers. You could end up saying it without thinking. We deal with about thir-tie or for-tie coun-sel and thirt-tie or for-tie coun-cils.”

“It’s so powerful,” I said, “that even when you tell someone about it, they start doing it themselves, even after fifty years.”

“Fif-tie,” he corrected me.

North Yorks Walks

It was great to be out on the North York Moors again, although there was a time when I would not have said that. It is where my first proper walks were, with boots, cagoule and rucksack, fifty years ago. My friend Neville used to drive us up on Saturdays in his Ford Anglia and we would spend the day walking. Don’t ask me where: the names Helmsley and Chop Gate sound familiar. Neville had been walking for longer than me and knew all the routes. He persuaded me along and I just followed – literally. 

More often than not he would disappear off into the distance and leave me trailing behind in wretched misery, with swollen ankles, and feet blistered by badly fitting boots. That first pair was fine for a few miles but I could never get the right combination of thin and thick socks to avoid rubbing. Nowadays I wear just one thick pair and stick on a piece of micropore tape at the slightest hint of trouble, which is not very often. As for ankles, from quite an early age I was forever going over and spraining them. I once jumped half way down the stairs and went over with a crunch. The pain was unbelievable. I always went over at least once on Neville’s walks, and still do sometimes, but it doesn’t usually hurt now. Mrs. D. says I’ve got lax ligaments. People cringe when I put the soles of my feet and my knees together at the same time.

On one walk, on Fylingdales Moor near the strange radome “golf balls” (replaced in 1992), I was so far behind I took a wrong fork, and rather than backtrack two hundred yards took a short cut across an area signed “Ministry of Defence. Danger. Unexploded Mines”. I was past caring. Another time, Neville organised a group of us to attempt the Lyke Wake Walk – a 40-mile crossing of the moor from Osmotherly to Ravenscar – but I had to give up less than half-way with one ankle puffed-up like a balloon, and red-raw heels and toes. My heels had blisters upon blisters and my toes looked like they had been stripped with sandpaper. It showed the world for what it is: the beauty and the pain.

The beauty won: the beauty of the Yorkshire countryside. Somehow, I persisted, and my feet, ankles and even I toughened up. We walked in all weathers. I must have been very warm-blooded because, even in the coldest winds and wettest rain, I wore only a cagoule over t-shirt and jeans. I would even go out like that in ice and snow. Now, maybe ten pairs of better-fitting boots later and owner of warmer clothing, I wish I got out more often. So, on holiday last month, it was great to be out on the North York Moors again. One walk was around the enigmatically-named Hole of Horcum.

Panorama of the Hole of Horcum, 2007 (Adam Jennison, Wikimedia Creative Commons)

The Hole of Horcum is a huge natural amphitheatre 400 feet deep and three-quarters of a mile across, just west of Fylingdales Moor. Legend has it as ‘The Devil’s Punchbowl’, formed when a giant threw a handful of earth at his wife. That doesn’t make much sense to me. Apart from the fact that no one would even dream of throwing a handful of earth at his wife, the giant was called Wade, not Horcum. I think Horcum must have been his dog, one of those enormous English Mastiffs, and the hole is where he buried a bone and then dug it up again. In any case, curmudgeonly geo-morphologists have to go and spoil things by telling us the Hole was formed by a process of water-erosion called spring-sapping? 

The Hole of Horcum, 17th August 2020

My own picture is from roughly the same viewpoint as the panorama, taken from the edge of the hole soon after we began circling anti-clockwise. The purple heather was putting on a better show this year. On reaching the far right-hand side we went off at a tangent along a path to a five-way junction at Dundale Rigg (what a name for a folk band!). From there you can divert to Skelton Tower (an 1830s shooting lodge) and marvel at the steam trains on the North Yorkshire Moors Railway far below. However, we continued on to the sleepy village of Levisham and then looped back East and North along the side of a wooded valley, picking our way through nettles to reach the footpath across the floor of the Hole, visible in the above photograph. In seven miles we had walked the whole of Horcum.

Levisham Village

Entering the Hole of Horcum, 17th August 2020

Another day we walked along the cliff top, along the track bed of the old Whitby to Middlesborough Middlesbrough railway, which closed in 1958. Some of the now-dismantled structures along the line, such as the Staithes Viaduct, were remarkable. At Staithes you can still make out the brick abutment on the hillside across the valley from the village car park that was once the site of Staithes railway station. The viaducts survived as potential Second World War targets only for unaffordable maintenance costs and declining passenger numbers to achieve what Hitler did not.

We joined the track at Sandsend, following in the footsteps of the intrepid Mr. Yorkshire Pudding who was there last year, and also ourselves in 1997, with the same two people in the next photograph as above. Whereas Mr. Pudding’s group continued the six miles north to Runswick Bay, we turned inland towards the village of Lythe and returned to Sandsend by a higher path across fields, giving a bird’s eye view of the resort.

The old railway track north from Sandsend, 19th September, 1997, looking towards Whitby Abbey

Looking down on Sandsend from the higher cliff path, 16th August 2020

The final photograph is from the cliff tops south of Whitby near the Abbey, which gives fine views in the opposite direction, north towards Sandsend. You can see Sandsend and the wooded cliffs where we walked.

Looking north to Sandsend from near Whitby Abbey, 21st August 2020

From the Abbey you descend the famous 199 steps back into town.

For more photographs, this guy’s web site is a real treat:  
Sandsend to Runswick Bay
Hole of Horcum (he starts at Levisham). 

Review - J. D. Salinger: The Catcher in the Rye

J. D. Salinger
The Catcher in the Rye (5*)

Another book not picked up since I was a teenager at school, indeed, to be honest, the very same book in which roughness on the inside of the front cover betrays where the school label has been cunningly removed.

I was unable to finish it in those days. I went through several years of not being able to read anything much at all. I would begin earnestly enough but quickly find myself stepping mentally away and thinking good, I am now reading, really reading, which meant that I wasn’t, which is why I am having to catch up with all these books now.

That sounds almost like the kind of thing the protagonist, Holden Caulfield, would say. I can still, just about, identify with him. Holden has been kicked out of boarding school for failing in nearly everything. He wanders aimlessly around New York for a couple of days, avoiding home and parents and trying to pass for older than his sixteen years. He books into a hotel and goes out for drinks. The lift man fixes him up with a prostitute and then beats him up. He sees an old friend and falls out with a girl friend. He nearly freezes to death. Throughout, we hear his constant, drifting thoughts: hating everything, disliking everyone, moaning about all the superficiality and insincerity he sees; the original angst-filled teenager.

The thing he hates most is “phoneys”: the headmaster who will only talk with influential parents; his older brother for cashing in his talent to write for Hollywood; the lawyers in it for the money rather than to help people. Yet the biggest phoney of all is himself. He tells you the one thing he can’t stand is the movies and then a few pages later talks about going to see them. He pretends to like teachers who try to help him. He gets into conversation with the mother of a pupil he dislikes, and lies about what a popular and sensitive boy her son is, the complete opposite of what he really thinks. He then lies to her about why he is not in school:

‘No, everybody’s fine at home,’ I said. ‘It’s me. I have to have this operation.’
‘Oh! I’m so sorry,’ she said. She really was, too. I was right away sorry I’d said it, but it was too late.
‘It isn’t very serious. I have this tiny little tumour on the brain.’
‘Oh, no!’ She put her hand up to her mouth and all.
‘Oh, I’ll be all right and everything! It’s right near the outside. And it’s a very tiny one. They can take it out in about two minutes.’
Then I started reading this time-table I had in my pocket. Just to stop lying. Once I get started, I can go on for hours if I feel like it. No kidding. Hours. (p62)

The only person Holden genuinely respects is his young sister Phoebe, and when he sneaks home to see her she accuses him of liking nothing and of not wanting to be anything. He says the only thing he wants to be is the catcher in the rye:

You know that song “If a body catch a body comin’ through the rye”?  … I keep picturing all these little kids playing some game in this big field of rye … And I’m standing on the edge of some crazy cliff. What I have to do, I have to catch everybody if they start to go over the cliff … That’s all I’d do all day. I’d just be the catcher in the rye. (p179)

which shows how adrift he is. “It’s if a body meet a body,” says Phoebe. “It’s a poem by Robert Burns.”

Many will hate this book and find Holden Caulfield repugnant. I loved both. Holden is real and vivid enough, I imagine, still to ring true with teenagers today. I laughed out loud at some of his overstatements, such as when he meets “... one of those guys that think they’re being a pansy if they don’t break around forty of your fingers when they shake hands with you” (p91). Most of what he tells you is a façade: he is yet another unreliable narrator with a distinctive first-person voice. Beneath the resentment he is intelligent, perceptive and generous: he reads a lot, lends his jacket to a school friend and writes an English essay for him – the one subject he is good at. Only when his sister Phoebe trusts him unreservedly in her readiness to run away do we glimpse hope as he starts to accept responsibility. He catches her from going over the edge of the cliff. Which takes us back to the start of the novel when he is recovering in an institution and telling us “... about this madman stuff that happened to me around last Christmas before I got pretty run-down and had to come out here and take it easy.”

Only one scene has stayed with me from my attempted reading so long ago, which is when Holden looks out through the darkness from his hotel window into other illuminated, uncurtained rooms to see a couple at play and a man dressing up in women’s clothes. Funny what you remember.


Key to star ratings: 5*** wonderful and hope to read again, 5* wonderful, 4* enjoyed it a lot and would recommend, 3* enjoyable/interesting, 2* didn't enjoy, 1* gave up.

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